Sep. 13th, 2010

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Imagine )


Chime in silverly across the half-imagined wind - Francis Sherman "A Prelude"


Reimagining can take place at the root of time - Cedar Sigo "Close-Knit Flower Sack"


As a self-imagined Atlas - James Weldon Johnson "A Poet to His Baby Son"


Unimaginable/Unimagined.


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Immeasurable records of surmise - Maxwell E. Foster "Five Sonnets 3"

An immeasurable wheel turning for evermore - Longfellow "Rain in Summer"

Up the immeasurable abyss - Alfred Noyes "The Wings"

The sea's immeasured lyre - George Sterling "The Swimmers"

That one immeasurable moment at sunset - Keith Taylor "Acolytes in the Bird-While"


Measure.

Measureless.

Unmeasured.


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Impossible )


On the carpet of impossibility - Amy King "You Make the Culture"

Begotten by despair upon Impossibility - Andrew Marvell "The Definition of Love"

The impossibility of making a day - Jackie Wang "The Crypt Seed"

Knowing the impossibility of getting there - Nora Weston "Things Allergic to Sleep"


Possible/Possibility.


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Imperfect/Imperfection )


Perfect.


An unperfect actor on the stage - William Shakespeare "Sonnet XXIII"


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A rout of dreams most impotent - Stephen Vincent Benet "Lonely Burial"

A chord long impotent in me - Countee Cullen "The Shroud of Color"

A school of impotent songs - Cheryl Dumesnil "A Million Silver Minnows"

The impotence of the lighthouse - Luciano Folgore "The Submarine" transl. by Anne Simon

Impotent glimpses of the Game displayed - Oliver Herford "The Rubáiyát of a Persian Kitten"


Potent.


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Unstoppable beats fiery impact every time - Rae Armantrout "Lie"

An impact with enough dominion to annihilate - Chris Dombrowski "Comes to Worse"

Asteroids mathematically on track for impact - Kendall Evans "Now We Must Speak in the Shadows of Silence"

Heard me swallow the impact - Janine Joseph "Circuitry"

Impact of charged atoms in ceaseless vibration - Lola Ridge "Russian Women"


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Those impetuous claims that drew me forth - William Cory "Amavi"

Impetuous round her axle rolls - William Falconer "The Shipwreck: Canto I"

Bright, impetuous avalanche of glory - Edward F. Garesche, S.J. "Niagara"

An impetuous wind - D.H. Lawrence "Study"

Displayed the wrecks of its impetuous course - Sir Walter Scott "The Field of Waterloo"

Transforms all that is impetuous - Zheng Min "If Curses aren't Accompanied by Deep Thought #8: A Century's Waiting" translator not credited. Source: https://projects.zo.uni-heidelberg.de/archive2/DACHS_Leiden/poetry/MD/Zheng_Min_trans.pdf


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By the blown fuse of an imploding star - Derek Adams "Historian's Guide to the Galaxy"

In response to an imploding code - Mary Jo Bang "Too Late, Louise Said, Means"

Will implode silent on our signal - Henry Farnan "How to Make Contact with a Lost Star System"

Imploded into existence - Lawrence Joseph "On Nature"

Answers imploding into yourself - Eunsong Kim "On Endings & Longing"


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Still imploring flame - Hart Crane "Legend"

Then the sunshine implores - Grace Paley [untitled]

And booming guns implore - Herman Melville "John Marr and Other Sailors"

Imploring to be sheltered and credited - Edwin Arlington Robinson "Late Summer"

Implores a poet's power - Francis Thompson "To My Godchild--Francis M. W. M."


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And honour on my days impress - Christine de Pisan "[Very God of Love, who art of lovers Lord]" (transl. by Laurence Binyon and Eric Robert Dalrymple Maclagan)

Kneel to be impressed by ashes - Seamus Heaney "Freedman"

By herself impressed on the tide - M.B.M. Toland "Aegle"

Wear its deep impress of changes - Miss S.J.C. Whittlesey "Fadde and Gone" [Graham's Magazine v.XL no.4, April 1852]

Impress thoughts of more deep seclusion - William Wordsworth "Lines Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour, July 13, 1798"


Strong impressions of eternity - Lawrence Joseph "In Parentheses"

Makes no good first impression - Jane Yolen "Little House in the Wood"


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Impaled on the pinnacles of a brassy skyscape - Bruce Boston "The Lesions of Genetic Sin"

Sweet beats of jazz impaled - Bob Kaufman "Walking Parker Home"

Impaled on slivers of wind - Bob Kaufman "Walking Parker Home"

The for-sale sign impales the front pasture - Margo Taft Stever "For Sale"

Impale the sky on silver spears - William Watson "A Child's Hair"


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His pain inside immaculate lines - Mike Allen "Mondrian's War"

Immaculate sigh of stars - Hart Crane "To Brooklyn Bridge"

A gesture of immaculate perfume - E.E Cummings "Puella Mea"

Crimes against the immaculate - James Galvin "Dear May Eighth"

Time, that immaculate housekeeper - Airea D. Matthews "Psyche on Prozac"

Disrupt an immaculate elliptical orbit - Sara Omer "Djinndroid"

A wand of fire immaculate - Lola Ridge "Firehead part IX: Resurrection 2: John Walks in the Morning"

Leaving the pit with their mascara still immaculate - Vincent Toro "¿Que Que La Femme?"


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Imprison )


Rooms where the time-imprisoned gather - Ruth Lechlitner "Night in August"


Prison.


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Learned to imitate each other's breath - Michael Dumanis "The Forecast"

The still life outside imitating art - JD Fox "Coloring the Sun You Know"

imitating them in oily pigments - Robert Frazier "A Crash Course in Lemon Physics"

Lace with its chemical imitation - K. Iver "Sleeping Beauty"

Whether to imitate duration or mimic passage - Rosemarie Waldrop "In Pieces: Natural"

Imitating their fields - Alice Walker "Why War Is Never a Good Idea"


imitations of the fruit's spectral physics - Robert Frazier "A Crash Course in Lemon Physics"

Holding a cheap imitation in my hands - Marin Sorescu "Paintings" transl. by Gabriela Dragnea


Their imitative and incendiary hymns - Jay Wright "Ilhuitl"


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To the muse impart the laurel crown - Giosue Carducci "Carlo Goldoni" transl. by Frank Sewall

Imparting joy, suggesting grief - James Weldon Johnson "A Passing Melody"

Venus' soft voice imparting its joy - Ali-Shir Nava'i "Love Song of Nava'i (13)" transl. by Dennis Daly

One grief to both impart - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

Imparted their charms to embellish their graces - L.V.F. Randolph "Mrs. Rabothem's Party" [The Continental Monthly v.4 no.1, July 1863]

Too deep for language to impart - Emile Verhaeren "The Sunlit Hours XV" transl. by Charles Royier Murphy


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Improvised between two cups of tea - Thomas Bailey Aldrich "Pauline Pavlovna"

Melancholy improvising on form - Zaina Alsous "capture produces a series of remains"

The craft's mystery improvised on bone - Seamus Heaney "Viking Dublin: Trial Pieces"

The musical improvisation of the operatic day - Diane Mehta "Landscape with Double Bow"

That improvised word-spun truth - Diane Mehta "Landscape with Double Bow"

With their rifles and their improvisation - Andre F. Peltier "Yub Nub, Motherfuckers"


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The afterimage of ancestral pain - Irene Inatty "Ours"

A flickering afterimage of the nightmare rain - Audre Lorde "Afterimages"


Image )


Where swirls of silver imagery sweep - Edwina Stanton Babcock "Dock Drama"


listen for the thoughts of their lost mirror-images - Robert Frazier and Andrew Joron "Cities in Fog"


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