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Unloved in the hourglass of dust - Nelly Sachs [Untitled] transl. by Ruth and Matthew Mead

Broken snail shells bearing emptiness on their back - Nelly Sachs [Untitled] transl. by Michael Roloff

Run from labyrinths of longing - Nelly Sachs [Untitled] transl. by Michael Roloff

Between the King and Queen of Swords - Sydney Sackett "After a Line from Bob Dylan's 'Changing of the Guards'"

Always willing to move one place along - Sydney Sackett "After a Line from Bob Dylan's 'Changing of the Guards'"

What did I owe a world that made no sense - Sydney Sackett "After a Line from Bob Dylan's 'Changing of the Guards'"

The looking glass burned beacon for me - Sydney Sackett "After a Line from Bob Dylan's 'Changing of the Guards'"

In the season of walnuts - Zohra Saed "Walnuts in Nangarhar"

Wind in the shadow of time - Gilbert Saenz "Dream Journey"

The next enchanted cross street - Gilbert Saenz "Mystic Avenues"

Searched among ghosts - Assotto Saint "The Geography of Poetry: For Ntozake Shange"

Only everything you believe - David St. John "Before Dawn"

Water from the lips of Orpheus - David St. John "Overlooking the Castle"

the land remembering its tragedies - Rachelle Saint Louis "Manman Ak Pitit"

the aftermath of failed coping mechanisms - Rachelle Saint Louis "Manman Ak Pitit"

the toxins of past memories - Rachelle Saint Louis "Manman Ak Pitit"

Thoughts ugly as clothespins - Leslie Sainz "Sonnet for Ochun"

Walked my plank of uncertainties - Leslie Sainz "Sonnet for Ochun"

In the wet air of the future - Leslie Sainz "Sonnet for Ochun"

In danger of forgetting the cranes - Marjorie Saiser "Crane Migration, Platte River"

Their black wavering lines in the sky - Marjorie Saiser "Crane Migration, Platte River"

The wind intermittent in our faces - Marjorie Saiser "Crane Migration, Platte River"

The distance between histories - Omar Sakr "Where I am Not"

Even my dreams of tenderness - Omar Sakr "Where I am Not"

Let life replace memory - Omar Sakr "Where I am Not"

Wearing her best crow feathers - Elly Luisa Salah "Wedding Party ... Featuring, My Mother"

Caught hunting mosquitoes - Abdulrazaq Salihu "Aurora Borealis and Aurora Australis"

Catch all the auroras before they fall - Abdulrazaq Salihu "Aurora Borealis and Aurora Australis"

The only thing whispering darkness into my mother's eyes - Abdulrazaq Salihu "Aurora Borealis and Aurora Australis"

Till all the rooms of warmth fill with smoke - Abdulrazaq Salihu "Aurora Borealis and Aurora Australis"

Unsubdued in war of winds and waters - Arthur L. Salmon "Solitude"

Laden with fruits of the earth - Edna K. Saloomey "My Lebanon"

Ablaze with myriad flowers - Edna K. Saloomey "My Lebanon"

Lovelier than gossamer dreams - Edna K. Saloomey "My Lebanon"

Anchors for kin to hold on to - Mona Lisa Saloy "God Was Willing Sis: I'm Home"

Where she curled in shadow - Mary Jo Salter "The Upper Story"

No trespass can erase - Mary Jo Salter "The Upper Story"

Not wholly fed by fear - Mary Jo Salter "The Upper Story"

A lower form of immortality - Mary Jo Salter "The Upper Story"

The queen of impossible tasks - Sofia Samatar "The Death of Araweilo"

Her manicured nails were of glass - Sofia Samatar "The Death of Araweilo"

Twin vortices in her black sunglasses - Sofia Samatar "The Death of Araweilo"

An act of deliberate volatility - Metta Same "Fish & Duck Skills"

And scandal was free - Metta Same "Fish & Duck Skills"

The deepest caverns of my soul - San Juan de la Cruz (translated by Roy Campbell) "Song of the soul in intimate communication and union with the love of God"

The sound of honeybees and monarchy - Cintia Santana "apocalyptic lyric"

Still he writes an encore - Cintia Santana "apocalyptic lyric"

The lyric a border wall - Cintia Santana "apocalyptic lyric"

Wretched stumps all charred and burned - George Santayana "Cape Cod"

Slant willows by the flooded bog - George Santayana "Cape Cod"

The bread of sorrow leaven - George Santayana "Sonnet XLIV [For Thee the Sun Doth Daily Rise, and Set]"

Is my proof of heaven - George Santayana "Sonnet XLIV [For Thee the Sun Doth Daily Rise, and Set]"

A fire that hollows me out - Chris Santiago "Insurrecto"

The openings of the obvious - Tomas Sanchez Santiago "The Arrival"

At the world’s invitation - Tomas Sanchez Santiago "The Arrival"

Words of quiet silver - Tomas Sanchez Santiago "The Arrival"

The small passion of your footsteps - Tomas Sanchez Santiago "The Arrival"

Snapped sun splinters - William Saphier "Childhood Memories"

Weak sparkling assertions - William Saphier "Etchings Not to Be Read Aloud: Lights in Fog"

In an opal, opaque atmosphere - William Saphier "Etchings Not to Be Read Aloud: Lights in Fog"

Without a hint of flower or fruit - William Saphier "Etchings Not to Be Read Aloud: The Old Prize Fighter"

Eagerly greets the shore - DJ Savarese "The Caseworker Speaks of a Good Fit"

The promise of pancakes - DJ Savarese "The Caseworker Speaks of a Good Fit"

Moves forward by glancing back - Ralph James Savarese "The Bearing Edge"

The sky sells cotton candy - Ralph James Savarese "The Bearing Edge"

The dead are breathing inside me - Maxine Scates "Look"

Slowing to the pace of the newt - Maxine Scates "Look"

Crossing the river of shorn paper - Natalie Scenters-Zapico "Paper Cuts"

Dull pink and out of stories - Philip Schaefer "Gradually Then Suddenly"

The belonging they beg for - Philip Schaefer "Gradually Then Suddenly"

Under our curtain of fire - Robert Haven Schauffler "The White Comrade"

Fingers of red-hot steel - Robert Haven Schauffler "The White Comrade"

No deluge of flame could surprise - Robert Haven Schauffler "The White Comrade"

An extinguished memory of flight - Adam Scheffler "Florence, Kentucky"

Count all the blackbirds - Adam Scheffler "Florence, Kentucky"

Unsentimental consequence of gravity - Robyn Schiff "Oak Gall Wasp"

With stories of mutual incrimination - Robyn Schiff "Oak Gall Wasp"

To break open the air with your grief - Ollie Schminkey "The First Rule of Buoyancy"

With nothing but the right pair of hands - Ollie Schminkey "The First Rule of Buoyancy"

Who fills the future with your own blood - Ollie Schminkey "The First Rule of Buoyancy"

The hummingbird loves you - Dorothea Auguste Gunhilde Schrage "Petunia Blossoms"

In a radiance of swords - Delmore Schwartz "The First Morning of the Second World"

When thought's abdication quickens - Delmore Schwartz "The First Morning of the Second World"

Dim gardens of fire - Evelyn Scott "From Brooklyn"

A hurricane of faces - Evelyn Scott "From Brooklyn"

Silence resumes her ancient reign - Owen Seaman "Of Baiting the Lion"

Drowned in electric lights - Marjorie Seiffert "The Picnic"

In the same wistful wonder - Marjorie Seiffert "The Picnic"

Sleeping peacefully in the starlight - Marjorie Seiffert "The Picnic"

Armies summoned from the grave - Don C. Seitz "Night at Gettysburg"

To exercise his virtue - Vijay Seshadri "Enlightenment"

The self's delicate apparatus crumpled - Vijay Seshadri "Goya's Mired Men Fighting with Cudgels"

Down the facing mirrors of future and past - Vijay Seshadri "Goya's Mired Men Fighting with Cudgels"

Our thinking's frozen violence - Vijay Seshadri "Goya's Mired Men Fighting with Cudgels"

Their sounds a frenzied symphony - Alafia Nicole Sessions "Fable with Cyst, Celestial Being & Sacrifice"

The panther felt compelled to know the path - Alafia Nicole Sessions "Fable with Cyst, Celestial Being & Sacrifice"

Stretched a long periscope toward the multiplying horizons - Alafia Nicole Sessions "Fable with Cyst, Celestial Being & Sacrifice"

Unzipped myself from lip to heel - Alafia Nicole Sessions "Fable with Cyst, Celestial Being & Sacrifice"

Endow with changeful splendors - E. Seton "Mary, Virgin and Mother"

Queens of the Dreams, and Kings of the Shadows - Adi K. Sett "Roshanara"

That Wisdom does not scorn - Anna Seward "Sonnet 92 [Behold that Tree, in Autumn's dim decay]"

Then changed from a beacon to a furnace - Wendy A. Shaffer "Icarus"

Did he blame Daedalus, his father? - Wendy A. Shaffer "Icarus"

The many failings of fathers and feathers - Wendy A. Shaffer "Icarus"

And laugh as we stride the storm - John Campbell Shairp "Cailleach Bein-y-Vreich"

No house but the waves - Don Share "The Last Thoughts of Jeff Buckley in Memphis"

Unripe morning cut open too soon - Betsy Sharp "Alarm"

Gushes sour light across the sheets - Betsy Sharp "Alarm"

To curdle dawns uneaten skin - Betsy Sharp "Alarm"

The culverts where night squats - Betsy Sharp "Alarm"

Risen high above the star - Thomas Hall Shastid "Christmas Night"

Spectres chasing joy and brightness - Thomas Hall Shastid "The Spectres"

With grief and care the orphan only knows - W. Wallace Shaw "Passed Away" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

My soul bowed down with grief and care - W. Wallace Shaw "Passed Away" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

That mingled with the roar of dashing waves - W. Wallace Shaw "Passed Away" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

While grazing on memory's lawn - Deema K. Shehabi "Vista"

Beating in the sky's eardrum - Deema K. Shehabi "Vista"

A fair table all of the beaten gold - Frederick Sheldon "Belted Will"

Well laden wi' the yellow gold - Frederick Sheldon "Belted Will"

Give ear to the march of Time - Gilbert Sheldon "St. Anthony's Township"

Heavy and slow in the streets of ruined cities - Gilbert Sheldon "St. Anthony's Township"

Wasting to rubble and lime - Gilbert Sheldon "St. Anthony's Township"

The hard shadow of the moon - Matthew Shenoda "Traces"

The grand gesture of a thing once known - Matthew Shenoda "Traces"

They are furnished with bees - William Shenstone "The Shepherd's Home"

With tendrils of woodbine is bound - William Shenstone "The Shepherd's Home"

My fields in the prime of the year - William Shenstone "The Shepherd's Home"

Glitters with fishes of gold - William Shenstone "The Shepherd's Home"

The liquid light of silver moons - Nathaniel G. Shepherd "A Summer Reminiscence"

Drowned in wells of bliss - Nathaniel G. Shepherd "A Summer Reminiscence"

The bird called tomorrow - Frank Sherlock "It's Time"

Extends into infinite presence - Frank Sherlock "It's Time"

Before this stoic mockery - W.M. Shields "Once More the Dream"

Restored are joys I counted lost - W.M. Shields "Once More the Dream"

Voice I loved beyond the storm - W.M. Shields "Once More the Dream"

From Memory's generous spring - W.M. Shields "Once More the Dream"

The kerosene of grief - Sun Yung Shin "A History of Domestication"

We dream of the castaway wind - Sun Yung Shin "A History of Domestication"

Sorrow in the cries of moor-fowls - Winfield Shiras "Sonnet"

When home won't let you stay - Warsan Shire "Home"

Something more than journey - Warsan Shire "Home"

Anywhere is safer than here - Warsan Shire "Home"

And mingle with forgotten ashes - James Shirley "Death's Final Conquest"

Our blood and state are shadows - James Shirley "The Same"

Lays his icy hand on kings - James Shirley "The Same"

And blossom in their dust - James Shirley "The Same"

Cats sneered at our pathetic need for feline love - Sarah Shirley "The Joy"

Committed their soft bodies to the salt - Sarah Shirley "The Joy"

With the energy seething at the heart of an atom - Sarah Shirley "The Joy"

Listening to the curious beauty of the sound of a million voices - Sarah Shirley "The Joy"

Whispers away the dying - Jacob Shores-Arguello "Workshop"

And maps the birds in his head - Jacob Shores-Arguello "Workshop"

The deep scars of love - David Shumate "Passing Through a Small Town"

One of the offices of the moon - David Shumate "Teaching a Child the Art of Confession"

From which memory slowly seeps - Iryna Shuvalova "a moving grove" transl. by Uilleam Blacker

Exposed throat of the sky - Iryna Shuvalova "a moving grove" transl. by Uilleam Blacker

The certain knot of peace - Sir Philip Sidney "Sonnet"

Are made diamonds by the sun - George Sigerson "Mo Cailin Donn"

Unveil your brilliant torches - George Sigerson "Mo Cailin Donn"

As at the bitter night of hell - Paulus Silentarius "241. ["Farewell" is on my tongue]" (translated by William Roger Paton)

Sweeter than the Sirens - Paulus Silentarius "241. ["Farewell" is on my tongue]" (translated by William Roger Paton)

On which all my soul's hopes hang - Paulus Silentarius "241. ["Farewell" is on my tongue]" (translated by William Roger Paton)

Read, written and erased - Jaime Siles "God in the Library"

The inertia of instinct - Jaime Siles "God in the Library"

Learn by asking all the questions - Desirae Simmons "What to Remember If I Lose My Way"

The wind steering me toward my destiny - Desirae Simmons "What to Remember If I Lose My Way"

Transmute to the juncture of perception - Margaret B. Simon "A Collective Invention Revisited"

Ensnared in the network by monetary necessity - Margaret B. Simon "A Collective Invention Revisited"

Maybe pain adds to the sea - Sandra Simonds "Lindos, Greece"

Of its battlements of air - Helen Simpson "Aeroplane, June 6th"

When one's mind unfurls its wings - H. Simpson "'There Are Quantities of Things...'"

Sometimes raining out of spite - H. Simpson "'There Are Quantities of Things...'"

To give her July for breakfast - Marilyn Singer "Cooking for Mom"

Like the sound of the moon - Marilyn Singer "First Good Snap"

Noisy like a circus - Marilyn Singer "In the Theatre"

Cannot spare more hours - Marilyn Singer "Paint Me"

The hours of joy we now inherit - G.B. Singleton "Anacreontic"

Star of the morrow gray - John Skelton "In Praise of Isabel Pennell"

Globe perched on translucent needles - Emily Skillings "Tenant"

With my nickel in my hand - Leta V. Meyers Smart "On a Nickel"

This worse than idle habit - Leta V. Meyers Smart "A Young Man's Adventure with Opportunity"

With hands just as defiant and eager - Leta V. Meyers Smart "A Young Man's Adventure with Opportunity"

The trout in sun-warmed shallows - C. Fox Smith "Bullington"

Far from hastening Time - C. Fox Smith "Bullington"

At the storm aghast - Charlotte Smith from "Montalbert"

Cold as my Despair - Charlotte Smith from "Montalbert"

More with envy than with fear - Charlotte Smith "Sonnet LXX. (On Being Cautioned against Walking on Headland Overlooking the Sea, Because It Was Frequented by a Lunatic.)"

With too faithful art - Charlotte Smith "Sonnet XCI [I can in groups these mimic flowers compose]"

Strands pulled from the past, locked in the present - Claire Smith "Exhibits from Schneewittchen"

Ruby poppies embossed across the handle - Claire Smith "Exhibits from Schneewittchen"

Soaked with jealousy, vanity, pride - Claire Smith "Exhibits from Schneewittchen"

Flanked by all that is unfamiliar - Clint Smith "FaceTime"

That this distance was only temporary - Clint Smith "FaceTime"

Distance was only temporary - Clint Smith "FaceTime"

Dancing together soon - Clint Smith "FaceTime"

A bloody lance of heaven's displeasure - Emily Smith "Such Monstrous Births"

A sorry message on the sawdust floor - Emily Smith "Such Monstrous Births"

Twelve fingers stretching for the winter sky - Emily Smith "Such Monstrous Births"

Grow ulcers from eating loneliness - Evan Gill Smith "The Cow Speaks to the Child"

Her broken circle to restore - Lyman C. Smith "Canada to Columbia"

The sad tear may embitter the wine - R. Penn Smith "A Health to My Brother"

Plucked from the snow in spring - Richard Penn Smith "On the Death of a Young Lady"

Emblems of her sad hours - Richard Penn Smith "On the Death of a Young Lady"

Pure as a seraph's tear - Richard Penn Smith "On the Death of a Young Lady"

Liquid with the light of youth - Mrs. Seba Smith "To Fanny H***" [Graham's Magazine v.XXI no.3, Sept. 1842]

Stealing gladness from the skies - Mrs. Seba Smith "To Fanny H***" [Graham's Magazine v.XXI no.3, Sept. 1842]

Only known to souls of truth - Mrs. Seba Smith "To Fanny H***" [Graham's Magazine v.XXI no.3, Sept. 1842]

To bring the memory of the Nile - William Wye Smith "The Canadians on the Nile"

Where maple shadows sleep - William Wye Smith "The Canadians on the Nile"

Your shape behind a flame - Brian Sneeden "Memory is Blood Soluble"

Every name on the edge of being gone - Brian Sneeden "Memory is Blood Soluble"

A cloud of bees from the stone - Brian Sneeden "Memory is Blood Soluble"

Click like hail on a boulder - Gary Snyder "Why I Take Good Care of my Macintosh"

Identical seedpods strong on a vine - Gary Snyder "Why I Take Good Care of my Macintosh"

Dozens of pockets of gold - Gary Snyder "Why I Take Good Care of my Macintosh"

The years poured back from one cracked jar into a perfect basin - Cynthia So "The Unicorn's Question"

Without even kissing their ghosts in my dreams - Cynthia So "The Unicorn's Question"

Projecting the whole night sky of constellations - Cynthia So "The Unicorn's Question"

A swirl of stardust in pink, in purple, in blue - Cynthia So "The Unicorn's Question"

Gives us the keys to the kingdom of death - Edith Sodergran "Pain" transl. by Jaakko A. Ahokas

Our strange souls and curious desires - Edith Sodergran "Pain" transl. by Jaakko A. Ahokas

Neglecting the fracture on my soul - Niloufar-Lily Soltani "A Mountain on My Back"

The silent who and almighty why - Arthur Solway "What Is Not"

A knot in my most likely never - Arthur Solway "What Is Not"

Abandon our cruelties - Christopher Soto "Forgiveness"

As if earthquakes are in your hands - Christopher Soto "Forgiveness"

Hear all the rumors of the world - Carlos Soto-Roman "The Tell-Tale Heart"

In this wisdom of the Holly Tree - Robert Southey "The Holly Tree"

The smooth temper of my age - Robert Southey "The Holly Tree"

But grief is ever resurrected - Lisa Russ Spaar "Driving"

A lamp above the incorruptible table - Maria Luisa Spaziani transl. by Lynne Lawner

Beacon of my trusting heart - T.G. Spear "I Cling to Thee"

From out the chambers of my mind - T.G. Spear "I Cling to Thee"

Nor fell Misfortune's friendless sway - T.G. Spear "I Cling to Thee"

And light my worldly path no more - T.G. Spear "I Cling to Thee"

Arachne high did lift her cunning web - Edmund Spenser "The House of Richesse"

Overgrowne with dust and old decay - Edmund Spenser "The House of Richesse"

But a faint shadow of uncertain light - Edmund Spenser "The House of Richesse"

Panting hounds beguiled of their prey - Edmund Spenser "Sonnet"

And for my faith reaped tares - Capt. James Sprent "A Confession of Faith" [The Anzac Book: Written and Illustrated in Gallipoli by the Men of Anzac, 1916]

Columbus's doom-burdened caravels - J.C. Squire "Sonnet [There was an Indian]"

Dawn moon passing ruined forts - Ssu-k'ung Shu "The Rebellion Over, I See Off a Friend Who Is Returning North" transl. by Burton Watson

Under crowding stars to rest - Ssu-k'ung Shu "The Rebellion Over, I See Off a Friend Who Is Returning North" transl. by Burton Watson

Companion to your grieving eyes - Ssu-k'ung Shu "The Rebellion Over, I See Off a Friend Who Is Returning North" transl. by Burton Watson

Where the witch of winter walked - Ezra Hurlburt Stafford "Chinook"

My thoughts amid the golden spheres - Ezra Hurlburt Stafford "The Last Orison"

Bolted doors that lock the corridors of Time - Ezra Hurlburt Stafford "The Last Orison"

Bar the awful avenues of Space - Ezra Hurlburt Stafford "The Last Orison"

Following the wrong god home - William Stafford "A Ritual to Read to Each Other"

The parade of our mutual life - William Stafford "A Ritual to Read to Each Other"

Evidence to hang me - William Stafford "What's in My Journal"

Chasms in character - William Stafford "What's in My Journal"

On the shore beside the Lethe - Maura Stanton "Wander Indiana"

As the wood without deer - Catherine Staples "Vert"

Unconsidered in verse or in song - Clemens Starck "A Brief Lecture on Door Closers"

The spring remembers how it was - Clemens Starck "A Brief Lecture on Door Closers"

Concealed beneath the threshold - Clemens Starck "A Brief Lecture on Door Closers"

And ascends flower-crowned to her vernal throne - Mrs. E.C. Stedman "Flight of the Birds" [Graham's Magazine v.XIX no.5, Nov. 1841]

From the chilling blast of Misfortune's breath - Mrs. E.C. Stedman "Flight of the Birds" [Graham's Magazine v.XIX no.5, Nov. 1841]

Just a paper giant - Evaleen Stein "The Picture-Book Giant"

Spills from cuckoo-cups - Evaleen Stein "Up, Little Ones!"

Descend again in molten drops - Gertrude Stein "Golden Bough"

In masks outrageous and austere - Gertrude Stein "Let No Charitable Hope"

Of vicious infinite regression - Leigh Stein "Based on a Book of the Same Title"

Like ghosts that never slept - Riccardo Stephens "A Ballad"

Blazing behind the utmost star - Riccardo Stephens "A Ballad"

Some strange and wandering sound - Riccardo Stephens "A Ballad"

That trod on forks of flame - Riccardo Stephens "A Ballad"

Whispering her vespers to dolls - Meghan Sterling "Chickadee"

A revelation on a spring morning - Meghan Sterling "Chickadee"

One day nearer to the sea - Ruth Sterry "Salutation"

Great Achilles crumbling on his pyre - Phillips Stewart "De Profundis"

Without care or coaxing - Kate R. Stiles "Clover Blossoms"

The wild deer and the wolf - Kate R. Stiles "Lake Quinsigamond"

Our cup is upside down - Kate R. Stiles "Lines Written on a Stormy Night"

On borrowed pinions soar - Benjamin Stillingfleet "Sonnet"

Calls thy thread misspun - Benjamin Stillingfleet "Sonnet"

Above the reach of vulgar flight - Benjamin Stillingfleet "Sonnet"

The extremest skirts of glory sees - Benjamin Stillingfleet "Sonnet"

To number blue infinities of bliss - Francis G. Stokes "Blue Moonshine"

The passionate pleasure of motion - Alfonsina Storni "Running Water" (translated by Muna Lee)

Whose streams rise from eternity - Speer Strahan C.S.C. "The Promised Country"

Where Azrael reaps a full harvest - Barry Straton "Charity"

Wanted to be a sieve - Dao Strom "Instrument"

Of your own nervous blood - Dao Strom "Instrument"

A bird-wing desire - Dao Strom "Instrument"

Scarcely reached her gates of woe - Charles Strong "Thrasymene"

When candle-flames burn blue - G.B. Stuart "Haunted"

While death patiently paces the sky - SM Stubbs "Faith"

Mind was a prison - Melissa Studdard "Everyone in Me Is a Bird"

Trapped between papered walls - Melissa Studdard "Everyone in Me Is a Bird"

Levitated at the burning - Melissa Studdard "Everyone in Me Is a Bird"

A birdcage with wings - Melissa Studdard "Everyone in Me Is a Bird"

Never broken by doubt - General Su Wu "To His Wife" (translated by Arthur Waley)

Tethering at the edge of psychosis - Patricia Omozele Sukore "Where Did the Cockerel Story Start?"

Illumination leaves its shadow in our care - Patricia Omozele Sukore "Where Did the Cockerel Story Start?"

Bright throne in her sorrowing heart - J.T.S. Sullivan "Elizabeth"

Cannot bear the song of the cuckoo - Sun Yun-feng "The Trail Up Wu Gorge" transl. by Kenneth Rexroth and Ling Chung

Riding home on the back of an ox - Sun Yun-feng "The Trail Up Wu Gorge" transl. by Kenneth Rexroth and Ling Chung

Most of what I know is contagious - Joyce Sutphen "The Temptation to Invent"

Parts of my heart are missing - Joyce Sutphen "The Temptation to Invent"

My way of turning away from the past - Joyce Sutphen "The Temptation to Invent"

The future is strewn with the roses of hope - Miss Caroline E. Sutton "The Past" [Graham's Magazine v.XXXIV no.2, Feb. 1849]

Peopled with phantoms too brilliant to last - Miss Caroline E. Sutton "The Past" [Graham's Magazine v.XXXIV no.2, Feb. 1849]

A banner of gold to the summer wind cast - Miss Caroline E. Sutton "The Past" [Graham's Magazine v.XXXIV no.2, Feb. 1849]

One touch of the present dissolves the light dream - Miss Caroline E. Sutton "The Past" [Graham's Magazine v.XXXIV no.2, Feb. 1849]

Built for the sunlight and not for the storm - Charles Swain "The Ship 'Extravagance'" [International Weekly Miscellany v.1 no.2, July 1850]

As if fortune's rich tide never ebbed - Charles Swain "The Ship 'Extravagance'" [International Weekly Miscellany v.1 no.2, July 1850]

At night when her gold-light is spent - Charles Swain "The Ship 'Extravagance'" [International Weekly Miscellany v.1 no.2, July 1850]

Bounty of the grape-crowned year - Caroline D. Swan "Stars of Cheer"

Old as Lebanon cedars - Marguerite Swawite "I Am Woman"

Pink with the dawn of my promise - Marguerite Swawite "I Am Woman"

Soft with sweet cadence - Marguerite Swawite "I Am Woman"

Up and down the funnels of evolution - Chad Sweeney "Prophecy of a Monday"

Wake in a labyrinth called Monday - Chad Sweeney "Prophecy of a Monday"

Dissolving in ghost water - Chad Sweeney "Prophecy of a Monday"

Though the painting grows decayed - Jonathan Swift "Stella's Birthday. 1720"

Best charge and bravest retreat - Sir P. Sydney "A Kiss" [Mirror of Literature v.13 issue 358, Feb. 1829.]

Best charge and bravest retreat in Cupid's fight - Sir P. Sydney "A Kiss" [Mirror of Literature v.13 issue 358, Feb. 1829.]

A double key which opens to the heart - Sir P. Sydney "A Kiss" [Mirror of Literature v.13 issue 358, Feb. 1829.]

Petty death where each in other live - Sir P. Sydney "A Kiss" [Mirror of Literature v.13 issue 358, Feb. 1829.]

The countenance and gestures of Mercy - J. Sylvester "Mercy and Justice" [Mirror of Literature v.13 issue 358, Feb. 1829.]

Bears the sword of vengeance unrelenting - J. Sylvester "Mercy and Justice" [Mirror of Literature v.13 issue 358, Feb. 1829.]

Brings pardon for the true repenting - J. Sylvester "Mercy and Justice" [Mirror of Literature v.13 issue 358, Feb. 1829.]

Who would come out of my cocoons - Wislawa Szymborska [Untitled] transl. by Czeslaw Milosz

Who possessed the grace of disappearing - Wislawa Szymborska [Untitled] transl. by Czeslaw Milosz

Full of swarming pins - Wislawa Szymborska [Untitled] transl. by Czeslaw Milosz

Their houses carved into his lungs - Milo K. Szyszka "A Tale of Moths and Home (of Bones and Breathing) (of Extrinsic Restrictive Lung Disease)"

Filled with the eyes of their wings - Milo K. Szyszka "A Tale of Moths and Home (of Bones and Breathing) (of Extrinsic Restrictive Lung Disease)"

A night when dusk never comes - Milo K. Szyszka "A Tale of Moths and Home (of Bones and Breathing) (of Extrinsic Restrictive Lung Disease)"


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