Mar. 1st, 2011

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Uplift your liquid songs - Manuel José Othón "The River" transl. by Alice Stone Blackwell

Hold converse with the wind and leaves - Manuel José Othón "The River" transl. by Alice Stone Blackwell

And rend yourself to foamy tatters - Manuel José Othón "The River" transl. by Alice Stone Blackwell

Golconda's pearls and diamonds rich - Manuel José Othón "The River" transl. by Alice Stone Blackwell

Transparent mosses for my beard - Manuel José Othón "The River" transl. by Alice Stone Blackwell

The laughter of the Naiads' [sic] is my song - Manuel José Othón "The River" transl. by Alice Stone Blackwell


Poet's page at poets.org.


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Went dancing back to the age of gold - Seumas O'Sullivan "A Piper"

A whisper among the hazel bushes - Seumas O'Sullivan "The Twilight People"

A heart beat deep in the quiet hills - Seumas O'Sullivan "The Twilight People"

Crying and calling to me out of the trees - Seumas O'Sullivan "The Twilight People"

Only the old dead dreams a-fluttering go - Seumas O'Sullivan "The Twilight People"


Poet's Wikipedia page.


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Whose floating glory melts within the sky - Frances S. Osgood "A Farewell to a Happy Day" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

Treasure every eloquent ray of golden light - Frances S. Osgood "A Farewell to a Happy Day" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

Stole on fairy wings into my waiting soul - Frances S. Osgood "A Farewell to a Happy Day" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

Summoned me to something sweet - Frances S. Osgood "A Farewell to a Happy Day" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

That soothed the lingering grief of years - Frances S. Osgood "A Farewell to a Happy Day" [Graham's Magazine v.XXXIII no.4, Oct. 1848]

Alight upon this beggar leaf - Frances S. Osgood "Lines to an Idea that Wouldn't 'Come'" [Graham's Magazine v.XXXIV no.5, May 1849]

Around the dainty tip of Whitman's pen - Frances S. Osgood "Lines to an Idea that Wouldn't 'Come'" [Graham's Magazine v.XXXIV no.5, May 1849]

My happy pen your host shall be - Frances S. Osgood "Lines to an Idea that Wouldn't 'Come'" [Graham's Magazine v.XXXIV no.5, May 1849]


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Dashed a tear in secret from his eye - Caroline F. Orne "A New England Legend" [Graham's Magazine v.XXXIII no.3, Sept. 1848]

Reels with the wind's savage play - Caroline F. Orne "A New England Legend" [Graham's Magazine v.XXXIII no.3, Sept. 1848]

Ghastly Famine's bony hand was stretched - Caroline F. Orne "A New England Legend" [Graham's Magazine v.XXXIII no.3, Sept. 1848]

And still the adverse winds blew on - Caroline F. Orne "A New England Legend" [Graham's Magazine v.XXXIII no.3, Sept. 1848]

Dark and fearful whispered words - Caroline F. Orne "A New England Legend" [Graham's Magazine v.XXXIII no.3, Sept. 1848]

Not the poet, but the linked poet's mother was Caroline Frances Jewett nee Perry who might be this poet as the linked poet was born in 1849.


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Operating at temperature extremes of absolute zero - Sara Omer "Djinndroid"

At the juncture of celestial river systems - Sara Omer "Djinndroid"

Construct temples to worship their Perfect Numbers - Sara Omer "Djinndroid"

Build new libraries that cannot burn - Sara Omer "Djinndroid"

Forms more agreeable to the terrestrial gaze - Sara Omer "Djinndroid"

How quickly one carves out a corner of the cosmos - Sara Omer "Djinndroid"

Disrupt an immaculate elliptical orbit - Sara Omer "Djinndroid"

Bowed mandibles chittering superstitious drivel - Sara Omer "Djinndroid"

Considering purposes for existence - Sara Omer "Djinndroid"

Send distress calls to the stratosphere - Sara Omer "Djinndroid"


Sara Omer.


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Life's threads all sorely tangled - John Oxenham "All's Well!"

Sweet chords strained and jangled - John Oxenham "All's Well"

Sweeps us along to the Opening Door - John Oxenham "The Bells of Ys"

Serve to bring the burdened heart - John Oxenham "Burden-Bearers"

Compounds a strangely mingled cup - John Oxenham "Cup of Mixture"

Doors still bolted against - John Oxenham "Darkness and Light"

All the fringes of the night - John Oxenham "Darkness and Light"

Cleaves through the husk of things - John Oxenham "Don't Worry"

She left the door ajar - John Oxenham "E.A., Nov. 6, 1900"

Glory shining through the cleft - John Oxenham "E.A., Nov. 6, 1900"

Each stone a prayer - John Oxenham "Everymaid"

Chase of steel on stone - John Oxenham "Everymaid"

Paid in full to axe and flame - John Oxenham "Free Men of God"

Swept bare by cleansing fires - John Oxenham "Gadara, A.D. 31"

Two and two will not make five - John Oxenham "God Is Good"

On the tablets of the night - John Oxenham "God Is Good"

All the mystery of withered hope - John Oxenham "God's Handwriting"

We catch but broken strokes - John Oxenham "God's Handwriting"

Voices of the women on the road - John Oxenham "Hearts in Exile"

The feet of crumbling clay - John Oxenham "Hearts in Exile"

Into the maw of the grim black night - John Oxenham "The Hungry Sea"

A land of lights and shadows - John Oxenham "India"

Count on no to-morrow - John Oxenham "Judgment Day"

The great cedar's benedictory grace - John Oxenham "A Little Te Deum of the Commonplace"

Earth's ten thousand fragrant incenses - John Oxenham "A Little Te Deum of the Commonplace"

Knits the silken bond of peace - John Oxenham "A Little Te Deum of the Commonplace"

Worn with long journeyings - John Oxenham "Livingstone the Builder"

Blood on the hearth, and blood in the well - John Oxenham "Macedonia, 1903"

The mystic circles leap - John Oxenham "New Year's Day--And Every Day"

To-morrow my untented soul will range - John Oxenham "Nightfall"

Slack ropes all undone - John Oxenham "Nightfall"

For the sweet oil is low - John Oxenham "Nightfall"

With eyes washed in the fire - John Oxenham "Philosopher's Garden"

For no man travels twice - John Oxenham "The Pilgrim Way"

Menaced by the sword - John Oxenham "Quo Vadis?"

Shook off the dust of Rome - John Oxenham "Quo Vadis?"

Ringed in the foam of the Silver Sea - John Oxenham "Sark"

Transformations of this house of clay - John Oxenham "Seeds"

Beyond the pride of any earthly queen - John Oxenham "Seeds"

No bonds of time or space - John Oxenham "Seeds"

Have not a cent to bless - John Oxenham "Some--And Some"

Kindle many a heart to equal flame - John Oxenham "Tamate"

All the amplitude of heaven - John Oxenham "Tamate"

In the moment when the light fails - John Oxenham "Wakening"

To every weaver one golden strand - John Oxenham "Weavers All"

A red rose for my helmet - John Oxenham "The Word that Was Left Unsaid"

The rose shall be my oriflamme - John Oxenham "The Word that Was Left Unsaid"


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To evince a defiant distance from inevitability - Cindy Juyoung Ok "To Bear the Ruse"

But don't dare say I went peacefully - Cindy Juyoung Ok "To Bear the Ruse"

Exhaustion took over my will - Cindy Juyoung Ok "To Bear the Ruse"

In my eyes you saw no relief - Cindy Juyoung Ok "To Bear the Ruse"

In every trying terminal breath - Cindy Juyoung Ok "To Bear the Ruse"

Confused every skyline for another - Cindy Juyoung Ok "To Bear the Ruse"

The walnut cracking on the gravel - Cindy Juyoung Ok "To Bear the Ruse"


Poet's page at poets.org.


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Made the choice of rupture - Achy Obejas "Boomerang, After Aime Cesaire"

Accept fate today and cast it out tomorrow - Achy Obejas "Boomerang, After Aime Cesaire"

When memory escapes, overtake it - Achy Obejas "Conceits"

That can make any lie seem true - Achy Obejas "Conceits"

What survives is memory - Achy Obejas "Dancing in Paradise"

Carnivores in their own essential food chain - Achy Obejas "Dancing in Paradise"

stand on the shoulders of a smaller atlas - Achy Obejas "Heroes in exile"

Beneath the slow moving asphalt - Achy Obejas "Inner Core"

Eighteen-hundred miles to a river of fire - Achy Obejas "Inner Core"

Swimming against the molten current - Achy Obejas "Inner Core"

The perimeter of our damned circumstances - Achy Obejas "My Island Lover"

A cadence of perfectly chronicled images - Achy Obejas "The Land of Regal Elephants"

Rambling on the steaming savannas - Achy Obejas "The Land of Regal Elephants"

Their feet never leaving the ground - Achy Obejas "The Land of Regal Elephants"

To shield your eyes from the lantern light - Achy Obejas "The Man in White"

Among the lifting waves unafraid - Achy Obejas "The Man in White"

Brittle enough to be believed - Achy Obejas "The Man with No Legs"

Unafraid of the night and its noises - Achy Obejas "Naiad"

Plunge from warm waters to cool air - Achy Obejas "Naiad"

The hours are distributed according to need - Achy Obejas "Naiad"

All the movements of the earth - Achy Obejas "Naiad"

The consequences of falling in love - Achy Obejas "Naiad"

The drums and the darkness within - Achy Obejas "Recountal"

The same horizon as yesterday - Achy Obejas "Recountal"

The holy burden of being the last on standing - Achy Obejas "Recountal"

Photos retouched for accuracy - Achy Obejas "Recountal"

The bones along the ocean floor - Achy Obejas "Recountal"

The Clock of the Long Now - Achy Obejas "Slow"

Stellar and solar alignments - Achy Obejas "Slow"

Time is a ruined fountain - Achy Obejas "Slow"

Headfirst dive into stillness - Achy Obejas "Slow"

Inoculate us from the fallacies of hope - Achy Obejas "Succession"

Scattered starlings from the black sun - Achy Obejas "Succession"

In the necessary oblivion of the circumstances - Achy Obejas "Volver"

If not for the price of sugar and oil - Achy Obejas "Volver"

If not for revolution and exile - Achy Obejas "Volver"

The promise of atonement in your return - Achy Obejas "Volver"

With sworn enemies and innocents - Achy Obejas "Volver"

Bring all the eloquence of your heart - Achy Obejas "Volver"

Guarded by angry geese - Achy Obejas "Volver"

A circuit of white orchids ringing - Achy Obejas "Volver"

An appetite for the precipice - Achy Obejas "Waiting in Line with Hemingway"


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Desolate, bereft by bitter fate - Dermot O'Curnan "Love's Despair" transl. by George Sigerson

No cure beneath the skies - Dermot O'Curnan "Love's Despair" transl. by George Sigerson

That can fail or falter never - Dermot O'Curnan "Love's Despair" transl. by George Sigerson

Bear all things evidence - Dermot O'Curnan "Love's Despair" transl. by George Sigerson

The pang of death-despair pass over - Dermot O'Curnan "Love's Despair" transl. by George Sigerson



From The Poem-Book of the Gael on Project Gutenberg. Selected and edited by Eleanor Hull. The preface say poems are translated by Hull if not otherwise credited, but it's not clear if all poems were translated (I'm treating them as having been, but... I might be wrong). I'm separating out the poems that list clear authors (as opposed to attributions), and those will be indexed as normal.


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As spent pilgrims returning - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Tumble through in hoarse thunder - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Such wretches are we - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Black sorrow sheds an eclipse on our glory - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Repair where the hill foxes tarry - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Fling the hawk at her quarry - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Be broke by the share of the stranger - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Tell the woods of their danger - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

In the uprooted wild-wood - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

For the guest is the lord - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

And the host is the vassal - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson

Through the wastes wild and barren - O'Gnive, bard of Shane O'Neill, c.1560 "The Downfall of the Gael" transl. by Sir Samuel Ferguson


Historical context on Wikipedia.


Probably the poet on Wikipedia.


From The Poem-Book of the Gael on Project Gutenberg. Selected and edited by Eleanor Hull. The preface say poems are translated by Hull if not otherwise credited, but it's not clear if all poems were translated (I'm treating them as having been, but... I might be wrong). I'm separating out the poems that list clear authors (as opposed to attributions), and those will be indexed as normal.


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The wolves' deep snarl be heard - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

Wild creatures find their surest covert - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

Precious things of price displayed - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

Felled their rich fruit-bearing orchards - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

Clothed with ragged weeds - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

That a wandering man may seek her cities - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull

Search her high cross-roads in vain - Teig Dall O'Higgin c.1566 "Address to Brian O'Rourke 'of the Bulwarks' to Arouse Him Against the English" transl. by Eleanor Hull


(Probably) the poet's Wikipedia page.


From The Poem-Book of the Gael on Project Gutenberg. Selected and edited by Eleanor Hull. The preface say poems are translated by Hull if not otherwise credited, but it's not clear if all poems were translated (I'm treating them as having been, but... I might be wrong). I'm separating out the poems that list clear authors (as opposed to attributions), and those will be indexed as normal.


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The flood-gates of the rivers of heaven - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Down from the overcharged clouds - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Grey rain in roaring streams - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

A pleasant salmon in the unchainable sea - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Darkly as in dream he strays - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

The tyrannous anger of the wounding wind - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Wounding wind that burns as fire - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Alone, without or guide or chart - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Uplifted to the blackened heavens - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Confronts the storm with anguished heart - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

A sword-wound to that tender heart - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

A backward glance at peaceful days - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Borne on the wind's wings, flashing fire - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan

Frozen, rain-drenched, sad betrayed - Eochadh O'Hosey (or Hussey) 17th century "O'Hussey's Ode to the Maguire" transl. by James Clarence Mangan


Poet's Wikipedia page.


From The Poem-Book of the Gael on Project Gutenberg. Selected and edited by Eleanor Hull. The preface say poems are translated by Hull if not otherwise credited, but it's not clear if all poems were translated (I'm treating them as having been, but... I might be wrong). I'm separating out the poems that list clear authors (as opposed to attributions), and those will be indexed as normal.


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Perhaps matters would not be much mended - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"

If your soul in dread torments should lie - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"

And sorely repent of the past - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"

And your pleasures will never decay - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"

Who the paths of iniquity trod - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"

Mercy that melted my heart - Old Humphrey "The Sabbath Breaker Reclaimed; or, a pleasing history of Thomas Brown"


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When the moon slipped its knot - Stephen Oliver "An Actual Encounter With The Sun On My Balcony At France Street"

Left a ring for the night to drop through - Stephen Oliver "An Actual Encounter With The Sun On My Balcony At France Street"

A baggage of stars thudded on the loading bay - Stephen Oliver "An Actual Encounter With The Sun On My Balcony At France Street"

Late night calls and false promises - Stephen Oliver "An Actual Encounter With The Sun On My Balcony At France Street"

Bright-lit destiny of the chosen - Stephen Oliver "Zionism"

Footsteps are paradoxical in a minefield - Stephen Oliver "Zionism"

A rock upon which your dreams founder - Stephen Oliver "Zionism"

Civilization open for business - Stephen Oliver "Zionism"

The Idea locked into permanence - Stephen Oliver "Zionism"

The fear deep and futureless as history - Stephen Oliver "Zionism"

Detaches itself from horizon in dream - Stephen Oliver "Zionism"

A wheel loosened from the world's ratchet - Stephen Oliver "Zionism"

Dreams fraught with ambush - Stephen Oliver "Zionism"

Accusations tumbled in the night - Stephen Oliver "Zionism"

Setting traps out for darkness - Stephen Oliver "Zionism"

No corners to hide behind - Stephen Oliver "Zionism"

No zone permitted for surprise - Stephen Oliver "Zionism"

Homage to a sun as walking pillar of fire - Stephen Oliver "Zionism"

With hell for a coronet - Stephen Oliver "Zionism"

Torn flags to a revolution lost - Stephen Oliver "Zionism"

Moon, ice, the glass-edged sky - Stephen Oliver "Zionism"

Money piled up under the turbined lamplight - Stephen Oliver "Zionism"

Doubly wreathed in jasmine - Stephen Oliver "Zionism"

Private show for the Gods - Stephen Oliver "Zionism"

At night, smoke warmed the stars - Stephen Oliver "Zionism"

The God found within the stone - Stephen Oliver "Zionism"

Our earth bent dustward forsworn to decay - Stephen Oliver "Zionism"

As history laments its own passing - Stephen Oliver "Zionism"

What ghosts urge these riots? - Stephen Oliver "Zionism"

Bone splinter and shrapnel mixed in daily - Stephen Oliver "Zionism"

A final exit from the Garden of Eden - Stephen Oliver "Zionism"

In crazy surrealist back drop - Stephen Oliver "Zionism"

Toying with the world's diamonds - Stephen Oliver "Zionism"

The invisible hides cause-and-effect - Stephen Oliver "Zionism"

Alleyways cracking with plastic syringes - Stephen Oliver "Zionism"

Rotating our options, weighing odds - Stephen Oliver "Zionism"

Caught in bristling cyberspace - Stephen Oliver "Zionism"

Gods walk out upon a path of stars - Stephen Oliver "Zionism"

Through vast chthonic reservoirs - Stephen Oliver "Zionism"

Doomsday's a syndicated affair - Stephen Oliver "Zionism"

Retribution neither diminishes nor goes away - Stephen Oliver "Zionism"

Bigger weapons to sound the void - Stephen Oliver "Zionism"

Journey from foot to fossil print - Stephen Oliver "Zionism"

Blood thins to Gods' ichor - Stephen Oliver "Zionism"

Rage of emptiness pours through - Stephen Oliver "Zionism"

We live under a Niagara of star fall - Stephen Oliver "Zionism"

Sounds of nothingness strung between - Stephen Oliver "Zionism"

The sea a carnival of light - Stephen Oliver "Zionism"

Time spins on a coin - Stephen Oliver "Zionism"

Over glass and concrete conspiracies - Stephen Oliver "Zionism"

Roads burn fuses into nightways - Stephen Oliver "Zionism"

In the slipstream above the stratosphere - Stephen Oliver "Zionism"

Fear drifts about the globe as deadly pollen - Stephen Oliver "Zionism"

An explosion is no rediscovery - Stephen Oliver "Zionism"

Sink hole from which hell's laughter issues - Stephen Oliver "Zionism"

Void behind the twin masks of light and dark - Stephen Oliver "Zionism"

Not repetition but continuance - Stephen Oliver "Zionism"

Not infinity by limitlessness - Stephen Oliver "Zionism"

In proton loops, on cushioned air - Stephen Oliver "Zionism"

Lays its long scaffolding of shadow - Stephen Oliver "Zionism"


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The heedless mind forgets - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

Only when some heart lies dead - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

In maddening music roll - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

Peals along the quickening ear - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

Tender gales of memory for ever waft it near - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

Overleaps that strange world's bound - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

From whence there flows no backward wave - O. "Good-Night" [Chambers' Edinburgh Journal no.446, 17 July 1852]

The universal heart in nature's bosom beating - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

On the yet unbroken darkness thrown - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

To us the shadow of the earth is given - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

Along its pathways tempest-driven - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

Not with the war-voice of our elder clay - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

With the mammoth's bones now bleaching - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]

Words of Light alone our javelins hurled - O. "Invocation" [Chambers' Edinburgh Journal, no.450, 14 Aug. 1852]


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Grave plans for the time to come - Nannie Power O'Donoghue "Dolly" [Chamber's Journal of Popular Literature, Science, and Art, Fifth Series, no.113, v.III, Feb. 27, 1886]

The waning tide of a waveless sea - Nannie Power O'Donoghue "Dolly" [Chamber's Journal of Popular Literature, Science, and Art, Fifth Series, no.113, v.III, Feb. 27, 1886]

And the world is not what it used to be - Nannie Power O'Donoghue "Dolly" [Chamber's Journal of Popular Literature, Science, and Art, Fifth Series, no.113, v.III, Feb. 27, 1886]

We called the muster over - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

Had dared the direst dangers - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

Had been the foremost in the fury of the fray - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

A solemn silence answered when we called him on the roll - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

To aid us in our grim and ghostly quest - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

Where the fight had waxed the fiercest - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

But Death had turned the hour-glass - Nannie Power O'Donoghue "Missing" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.136-v.III, 7 Aug. 1886]

No tender spot that sympathy may touch - Nannie Power O'Donoghue "No Tears" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.43-v.I, 25 Oct. 1884]

Are human woes such selfish things - Nannie Power O'Donoghue "No Tears" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.43-v.I, 25 Oct. 1884]

That none their depths may know - Nannie Power O'Donoghue "No Tears" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.43-v.I, 25 Oct. 1884]

Trembling Hope, with waning spark, fades - Nannie Power O'Donoghue "No Tears" [Chambers' Journal of Popular Literature, Science, and Art, 5th series, no.43-v.I, 25 Oct. 1884]


Poet at the Digital Victorian Periodical Poetry site.


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Three thousand years have turned to dust - Thomas O'Hagan "Achilles' Tomb"

Shall know not the ardor of noon - Thomas O'Hagan "Gather the Harvest"

To all the soul builds high - Thomas O'Hagan "Giotto's Campanile"

Piece out their dreams of new glory and freedom - Thomas O'Hagan "His Mission"

Smote the sky in tremulous bars of doom - Thomas O'Hagan "In the Trenches"

Against you are leagued the earth and the stars - Thomas O'Hagan "The Kaiser's 'Place in the Sun'"

Built their parapets in the air - Thomas O'Hagan "Langemarck"

Nurtured where the stars have wed the snows - Thomas O'Hagan "Langemarck"

Write it with the pen of history - Thomas O'Hagan "Langemarck"

To carry in your knapsacks death - Thomas O'Hagan "Louvain"

Have felt the death stings of your shells - Thomas O'Hagan "Louvain"

The vigils deep of the sable night - Thomas O'Hagan "Mothers"

And left on the hearth a crushing stone - Thomas O'Hagan "Mothers"

Beyond the stars that burn at night - Thomas O'Hagan "Mothers"

The fledglings of my care are gone - Thomas O'Hagan "Ripened Fruit"

And left me but the rustling leaves - Thomas O'Hagan "Ripened Fruit"

While dark Fate weaves your chaplet - Thomas O'Hagan "Sock it to 'Em"

Every note is charged with memory - Thomas O'Hagan "The Song My Mother Sings"

The golden hours of promise - Thomas O'Hagan "The Song My Mother Sings"

Through the halls of memory - Thomas O'Hagan "The Song My Mother Sings"

Heard the tenor voice of grief - Thomas O'Hagan "The Song My Mother Sings"

Is linked in mystic measure - Thomas O'Hagan "The Song My Mother Sings"

Only the winds disturb my soul - Thomas O'Hagan "Song of the Zeppelin"

And sow the highways with tears and sighs - Thomas O'Hagan "Song of the Zeppelin"

Solved all danger of the looting - Thomas O'Hagan "Trouble in the Louvre"

Of centuries touched by genius into life - Thomas O'Hagan "Trouble in the Louvre"


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Lived with eight sisters in a warm ocean - Gregory Orr "Before We Met"

A transparent stalk rooted in sand - Gregory Orr "Before We Met"

Walking toward you on this bridge of poems - Gregory Orr "Before We Met"

A thousand paper coffins laid end to end - Gregory Orr "Before We Met"

Born with a knife in one hand and a wound in the other - Gregory Orr "Before We Met"

All the mirrors were painted black - Gregory Orr "Before We Met"

A scorpion scratches about under a rubbish heap - Gregory Orr "Black Moon"

The foundations of collapsed houses - Gregory Orr "Black Moon"

Under layers of leaves and soft dirt - Gregory Orr "Black Moon"

Stands at night beside a ruined house - Gregory Orr "Black Moon"

This black moon pulls at my bones - Gregory Orr "Black Moon"

Caged in a room of mirrors - Gregory Orr "The Cage"

The deep snow of oblivion - Gregory Orr "The City of Poetry"

The winds walk around it - Gregory Orr "The City of Poetry"

Building the first house of song - Gregory Orr "The City of Poetry"

Yielded to the pull of the globe - Gregory Orr "The City of Poetry"

The poem was my ladder - Gregory Orr "The City of Poetry"

Rungs and lifts of escape - Gregory Orr "The City of Poetry"

Mockingbird in the magnolia - Gregory Orr "The City of Poetry"

Angels dancing all day on the roof - Gregory Orr "The City of Poetry"

A thousand roads lead to it - Gregory Orr "The City of Poetry"

Tang of salt in the walls - Gregory Orr "The City of Poetry"

The color of my longing - Gregory Orr "The City of Poetry"

Not all spun sugar and gossamer - Gregory Orr "The City of Poetry"

If half the rumors are true - Gregory Orr "The City of Poetry"

Step across without stretching - Gregory Orr "The City of Poetry"

Porch made of breath - Gregory Orr "The City of Poetry"

House made of air - Gregory Orr "The City of Poetry"

Huge twig-piles of words - Gregory Orr "The City of Poetry"

Parrots and a bowl of peaches - Gregory Orr "The City of Poetry"

Corridors only ghosts patrol - Gregory Orr "The City of Poetry"

Will build their huts out of mud and bones - Gregory Orr "The Dead in Early Spring"

A rose made from cellophane - Gregory Orr "Domestic Life"

Might circle back as memory - Gregory Orr "Eden and After: Departure"

The best dreams vanish most quickly - Gregory Orr "Eden and After: Eve"

Tugging black thread of tunnel - Gregory Orr "Eden and After: The Parade"

Stitching a dark shroud - Gregory Orr "Eden and After: The Parade"

Trusting branches not to break - Gregory Orr "Eden and After: To Build"

As if acts had no consequence - Gregory Orr "Eden and After: To Choose"

Leaving Eden was not grief - Gregory Orr "Eden and After: To Love"

Smug nouns of dominion - Gregory Orr "Eden and After: To Notice"

Adam's eyes would weary the world - Gregory Orr "Eden and After: To See"

Wore as sheath and shield - Gregory Orr "Eden and After: To See"

Shiny with its afterbirth of light - Gregory Orr "Eden and After: To See"

With only sight connecting - Gregory Orr "Eden and After: To See"

Always to the garden's edge - Gregory Orr "Eden and After: To Stray"

Whatever flowered had to fade - Gregory Orr "Eden and After: To Understand"

Sorrow and pleasure grew on the same tree - Gregory Orr "Eden and After: To Understand"

Moving tokens of becoming's task - Gregory Orr "Eden and After: To Verb"

Their glory was spoken as motion - Gregory Orr "Eden and After: To Verb"

Idle doodles and arbitrary scratches - Gregory Orr "Eden and After: To Write"

A man who has swallowed a cloud - Gregory Orr "From That Moment"

Settles in the branches of his lungs - Gregory Orr "From That Moment"

Small bones scattered in a field among burdocks - Gregory Orr "Gathering the Bones Together One: A Night in the Barn"

Staring into the glass well of my hands - Gregory Orr "Gathering the Bones Together Three"

This smoke turns people into shadows - Gregory Orr "Gathering the Bones Together Four: Smoke"

Lives in a house of black glass - Gregory Orr "Gathering the Bones Together Five"

A child sleeping on a nest of bones - Gregory Orr "Gathering the Bones Together Five"

A white road only as long as your body - Gregory Orr "Gathering the Bones Together Six: The Journey"

The path at my feet disappears - Gregory Orr "A House in the Country"

This thing, so frail and alien - Gregory Orr "A House in the Country"

Curl up in the top branches and sleep - Gregory Orr "A Life"

Murdered by owls and bats - Gregory Orr "The Nocturnal Picnic"

Wandered through a field of abandoned furniture - Gregory Orr "Pastoral"

The stone whose flower opens inward - Gregory Orr "River Inside the River"

Bowed by a ceaseless wind - Gregory Orr "River Inside the River"

And only hard furrows remain - Gregory Orr "River Inside the River"

Promises never to mend it again - Gregory Orr "River Inside the River"

Intimacy not yet a science - Gregory Orr "River Inside the River"

The abyss between you is infinite - Gregory Orr "River Inside the River"

And distance mocks your shout - Gregory Orr "River Inside the River"

Alchemy of grief - Gregory Orr "River Inside the River"

Doesn't the world demand we dance? - Gregory Orr "River Inside the River"

The least blade of grass in the breeze - Gregory Orr "River Inside the River"

August days ripening the blackberries - Gregory Orr "River Inside the River"

Time is a wound that can't close - Gregory Orr "River Inside the River"

Wearing a little necklace of blood pearls - Gregory Orr "The Teeth of Sleep"

Ragged holes through which a black wind blows - Gregory Orr "These Words"

The weight of your shell pulls you deeper - Gregory Orr "The Transformation"

Coming with wolves on leashes - Gregory Orr "Two Lines from the Brothers Grimm"

Saw the wall of hills on fire - Gregory Orr "Two Lines from the Brothers Grimm"


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This pageantry of wanton glory - David O'Neil "Poems: Apathy"

Awed by the setting sun - David O'Neil "Poems: Apathy"

A silkworm upheld by a slender strand - David O'Neil "Poems: Moods and Moments"

An orchard with white-washed trees - David O'Neil "Poems: Moods and Moments"

Anchor them with a pyramid of bones - David O'Neil "Poems: Victory"


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The birds chant loud their matins - Augusta Davies Ogden "Timon Cruz"

Hushed and calm the breezes lie - Augusta Davies Ogden "Timon Cruz"

The watchful hawk on high - Augusta Davies Ogden "Timon Cruz"

In breathless ether lonely hangs - Augusta Davies Ogden "Timon Cruz"

Faint rings the parrot's cry - Augusta Davies Ogden "Timon Cruz"

Feel earth's pulses beating - Augusta Davies Ogden "Timon Cruz"

The eaves where pigeons croon - Augusta Davies Ogden "Timon Cruz"


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A dream in a sea of doom - Shaemas OSheel "He Whom a Dream Hath Possessed"

Leaps to a laughing star - Shaemas OSheel "He Whom a Dream Hath Possessed"

No queen of martial might - Shaemas OSheel "Roma Mater Sempaeterna"

The lush weed of our sin - Shaemas OSheel "Thanksgiving for Our Task"

So wondrous a mystical harvest - Shaemas OSheel "Thanksgiving for Our Task"


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this crypt dust settling my bones - Porsha Olayiwola "The Electric Slide is Not a Dance, Man!"

my foundation ungrounded from laughter - Porsha Olayiwola "The Electric Slide is Not a Dance, Man!"

arrange a constellation in memory - Porsha Olayiwola "The Electric Slide is Not a Dance, Man!"

in the cadence of the eulogy - Porsha Olayiwola "Notorious"

words jetting out like jamboree - Porsha Olayiwola "Notorious"

fair saint of vertebrae - Porsha Olayiwola "Twerk Villanelle"

body charmed, spell bent, toward progressing - Porsha Olayiwola "Twerk Villanelle"

A hungry well of water and memory loss - Porsha Olayiwola "We Drink at the Attenuation Well"

Forgetting is a port homeward - Porsha Olayiwola "We Drink at the Attenuation Well"

The birthright of remembering - Porsha Olayiwola "We Drink at the Attenuation Well"


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The riot-laugh of victor kings and trickster princes - Brandon O'Brien "Anansi Braids Your Stepson's Hair"

Failing History and being doomed to repeat it - Brandon O'Brien "Anansi Braids Your Stepson's Hair"

Just draws the route out of doubt - Brandon O'Brien "Anansi Braids Your Stepson's Hair"

As if the threshold was the infinitesimal - Brandon O'Brien "Cento for Lagahoos"

Take away from this haunted space - Brandon O'Brien "Cento for Lagahoos"

Loosen my language from my teeth - Brandon O'Brien "Cento for Lagahoos"

hungry for the fruit of cracked bones - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

carve words in the dark - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

rage does sharpen my back teeth - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

still hold pause for the sun - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

I could choose myself in all my shadow - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

grow bile and peaks of anger - Brandon O'Brien "The Creature from the Black Lagoon Is Your Father"

And carve off each stain of the hurt - Brandon O'Brien "Elegy for the Self as Villeneuve's Beast"

Some truer me in knots of matte and glowing rage - Brandon O'Brien "Elegy for the Self as Villeneuve's Beast"

That makes the rose about me and gnashes at thorns - Brandon O'Brien "Elegy for the Self as Villeneuve's Belle"

Bury screams beneath the roots - Brandon O'Brien "lagahoo culture (Part I)"

And you don't like standing in its light - Brandon O'Brien "lagahoo culture (Part II)"

Either chemistry or literature, a catalyst or a metaphor - Brandon O'Brien "lagahoo culture (Part II)"

To be the calculus that no one else can perform - Brandon O'Brien "lagahoo culture (Part II)"

Sharp stones beneath the wayward lemongrass - Brandon O'Brien "lagahoo culture (Part II)"

You learn something strange when you garden for souls - Brandon O'Brien "lagahoo culture (Part II)"

Take out the locked box of the warped evidence - Brandon O'Brien "lagahoo culture (Part II)"

with horns that fly in the wind - Brandon O'Brian "Population Changes"

Jesus leaned on the cornerstone - Brandon O'Brian "Population Changes"

because it wanted a change of canvas - Brandon O'Brian "Population Changes"

they cast their fears in iron - Brandon O'Brian "Population Changes"

long before the buzzard comes - Brandon O'Brian "Population Changes"

will blow our ash into glassware - Brandon O'Brian "Population Changes"

A truth burgled, tarnished, but returned - Brandon O'Brien "Quiet and Fragile Try on the Same Romper"

The usual flames rising up from the cracks of everything we know - Brandon O'Brien "To Whomsoever Remains"

The tiring task of casting lots on the cost of a human spirit - Brandon O'Brien "To Whomsoever Remains"

All of the tinsel we imagined has gone rotten - Brandon O'Brien "To Whomsoever Remains"

A seed. Surviving in this tragic soil - Brandon O'Brien "To Whomsoever Remains"


Poet's bio at uncannymagazine.com.


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Adds another right angle to all his angles - Maura O'Dea "Dad Explains Dimensions at Outback Steakhouse"

An interdimensional being existing in all worlds - Maura O'Dea "Dad Explains Dimensions at Outback Steakhouse"

Many-jointed fingers with the blood at the corners - Maura O'Dea "Dad Explains Dimensions at Outback Steakhouse"

Offering me life in a different shape - Maura O'Dea "Dad Explains Dimensions at Outback Steakhouse"

Collapses into the appropriate dimensions - Maura O'Dea "Dad Explains Dimensions at Outback Steakhouse"


Poet's bio at Strange Horizons website.


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Fluctuating through an endless vestibule of time - Omodero David Oghenekaro "Questions for the Fallen"

With hungers sheathed to my sides - Omodero David Oghenekaro "Questions for the Fallen"

All these years of running from the beast - Omodero David Oghenekaro "Questions for the Fallen"

A shadow wandering at the boundary of light - Omodero David Oghenekaro "Questions for the Fallen"

A forest razed down to its knees - Omodero David Oghenekaro "Questions for the Fallen"

A rabbit skipping out of absolute ruin - Omodero David Oghenekaro "Questions for the Fallen"


Poet's bio at Strange Horizons website>


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If we never disown its weight - Christina Olivares "Portrait"

You might become any burned house - Christina Olivares "Portrait"

Upon which these future ghosts will cut astonished rivers - Christina Olivares "Portrait"

A starling startling northwards - Christina Olivares "Portrait"

Every night we baited nine traps - Christina Olivares "Preserving an Ecosystem"

Executing all the deaths that goodness requires - Christina Olivares "Preserving an Ecosystem"


Poet's bio at poets.org.


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The deep-green forests of that epauletted century - Caitriona O'Reilly "The Airship Era"

Geraniums bloomed on windowsills - Caitriona O'Reilly "The Airship Era"

The future must have seemed weightless - Caitriona O'Reilly "The Airship Era"

London in the moon's dark phases - Caitriona O'Reilly "The Airship Era"

Eerie lightning shot from frostbitten fingers - Caitriona O'Reilly "The Airship Era"

Trapeze wires below the cloud cover - Caitriona O'Reilly "The Airship Era"

Daft, round-the-world steampunk wagers - Caitriona O'Reilly "The Airship Era"

Gilded aerialists in their giant dirigibles - Caitriona O'Reilly "The Airship Era"

The world remained a storybook - Caitriona O'Reilly "The Airship Era"

Unfolding endlessly in signs and wonders - Caitriona O'Reilly "The Airship Era"

An alternative angle on the sublime - Caitriona O'Reilly "The Airship Era"

Hooked to a typhoon's tail - Caitriona O'Reilly "The Airship Era"

As they fell continually upwards - Caitriona O'Reilly "The Airship Era"

The price of their rising - Caitriona O'Reilly "The Airship Era"

The assiduous atom seeking an exit - Caitriona O'Reilly "The Airship Era"

Thronging the fabric of their cells - Caitriona O'Reilly "The Airship Era"

Newsreels captured the death of a star - Caitriona O'Reilly "The Airship Era"

Loose on the swelling tide - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

Trapped in the net of a stare - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

Green glass eyes of a porcelain doll - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

The selkie who slips her wet pelt - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

Echoes the numb roll of the whale - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

In a sea congealed with cold - Caitriona O'Reilly "II. The Mermaid (from The Sea Cabinet)"

Each in its separate spiral stair - Caitriona O'Reilly "IV. The Curee (from A Quartet for the Falcon)"

Descend swift as a murderer's hand - Caitriona O'Reilly "IV. The Curee (from A Quartet for the Falcon)"

Bringing the priestly heron down - Caitriona O'Reilly "IV. The Curee (from A Quartet for the Falcon)"


Poet's bio at poetryfoundation.org.


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Have lived along the hills of redemption - Romeo Oriogun "Griot of Strange Places"

Until devotion carved a wound - Romeo Oriogun "Griot of Strange Places"

This bard from an old and distant city - Romeo Oriogun "Griot of Strange Places"

The elegy we all belong to - Romeo Oriogun "Griot of Strange Places"

The vestige of his small world - Romeo Oriogun "Griot of Strange Places"


Poet's bio at poets.org.


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We exist because of what we make - Jose Olivarez "I Walk Into Every Room and Yell Where the Mexicans At"

Rent due & payday missing - Jose Olivarez "Maybach Music (with a sample from Paul Wall)"

Never stopped me from dancing - Jose Olivarez "Maybach Music (with a sample from Paul Wall)"

If the rich want payment - Jose Olivarez "Maybach Music (with a sample from Paul Wall)"

Only darkness follows darkness - Jose Olivarez "Maybach Music (with a sample from Paul Wall)"

Death machines building death machines - Jose Olivarez "Mexican Heaven"

The melting that gold requires - Jose Olivarez "Mexican Heaven"

descendant of pistons & drive trains - Jose Olivarez "now i'm bologna"

whispered them into the right ears - Jose Olivarez "poem where no one is deported"

Oak trees with their own history of migration - Jose Olivarez "You Must Be Present"

math that equates to foreclosures - Jose Olivarez "you the business folk"

a serpent coiling up getting thicker - Jose Olivarez "you the business folk"

a warm breeze in January - Jose Olivarez "you the business folk"

know the sound of smoke - Jose Olivarez "you the business folk"


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Wanted to see through your light - Lydia O'Donnell "Doppler Effect"

The kind of power that lifts you up - Lydia O'Donnell "Doppler Effect"

Power that swallows your memories - Lydia O'Donnell "Doppler Effect"

Your light is a memory of the future - Lydia O'Donnell "Doppler Effect"

The star I thought I wanted - Lydia O'Donnell "Doppler Effect"

Gemstones of sweat on my face - Lydia O'Donnell "Doppler Effect"

The remains of a white dwarf will always rot - Lydia O'Donnell "Doppler Effect"

Too weak for a black hole or a pulsar - Lydia O'Donnell "Doppler Effect"

Your memories are cooling, dimming - Lydia O'Donnell "Doppler Effect"

The ghost of a star's past life - Lydia O'Donnell "Doppler Effect"

No lifeforms exploded from your soil - Lydia O'Donnell "Doppler Effect"

The smoky smell of déjà vu - Lydia O'Donnell "Doppler Effect"

We're on the same sheet of space-time - Lydia O'Donnell "Doppler Effect"

And every day further apart - Lydia O'Donnell "Doppler Effect"


Poet's bio at Strange Horizons.


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A fraternity ghost waiting to stay home - Frank O'Hara "Ann Arbor Variations"

The arches are empty clear to the sky - Frank O'Hara "Ann Arbor Variations"

Drown in a fountain of myriads - Frank O'Hara "Ann Arbor Variations"

Our birth was given up to screaming - Frank O'Hara "Ann Arbor Variations"

Chatter their comparisons to the wind - Frank O'Hara "Ann Arbor Variations"

His fingertips glistened with frost - Frank O'Hara "Augustus"

The waterfalls were still as flames - Frank O'Hara "Augustus"

Weeping larks falling all over the heavens - Frank O'Hara "Aus Einem April"

The soul that grows in darkness - Frank O'Hara "Ave Maria"

Embossed by silvery images - Frank O'Hara "Ave Maria"

Know where candy bars come from - Frank O'Hara "Ave Maria"

Keeping them from the darker joys - Frank O'Hara "Ave Maria"

Of four o'clocks now and to come - Frank O'Hara "Chez Jane"

Aspirin in this sunset of roses - Frank O'Hara "Chez Jane"

To aggravate the truly menacing - Frank O'Hara "Chez Jane"

Sentiments sitting beside my bed - Frank O'Hara "Dolce Colloquio"

On the shingle with an oar in your hands - Frank O'Hara "Dolce Colloquio"

A barbed wire of sand falls - Frank O'Hara "The Eyelid Has its Storms..."

Under a plague of allergies and tears - Frank O'Hara "The Eyelid Has its Storms..."

Has banged into your wall of air - Frank O'Hara "For James Dean"

Nearer than the sirens' speech - Frank O'Hara "For James Dean"

The secrecy our smiles take on - Frank O'Hara "Having a Coke with You"

A tree breathing through its spectacles - Frank O'Hara "Having a Coke with You"

Didn't pick the rider as carefully as the horse - Frank O'Hara "Having a Coke with You"

It seems they were all cheated - Frank O'Hara "Having a Coke with You"

Nothing left with which to venture - Frank O'Hara "Meditations in an Emergency"

All I want is boundless love - Frank O'Hara "Meditations in an Emergency"

The clouds get enough attention as it is - Frank O'Hara "Meditations in an Emergency"

Can spare myself little sleep - Frank O'Hara "Meditations in an Emergency"

A final chapter no one reads - Frank O'Hara "Meditations in an Emergency"

More revolutionary than a nun - Frank O'Hara "On Seeing Larry Rivers' Washington Crossing the Delaware at the Museum of Modern Art"

The jealous spiritualities of the abstract - Frank O'Hara "On Seeing Larry Rivers' Washington Crossing the Delaware at the Museum of Modern Art"

Feeding on theoretical considerations - Frank O'Hara "On Seeing Larry Rivers' Washington Crossing the Delaware at the Museum of Modern Art"

Only two charms in my pocket - Frank O'Hara "Personal Poem"

Incursions toward the pomposity of ants - Frank O'Hara "To the Film Industry in Crisis"

Rudolph Valentino of the moon - Frank O'Hara "To the Film Industry in Crisis"

Crying into the dappled sea - Frank O'Hara "To the Film Industry in Crisis"

Eating orchids for lunch - Frank O'Hara "To the Film Industry in Crisis"


Poet's page at poets.org.


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I'm trying on egos - Akilah Oliver "In Aporia"

A justification for the planet's continuance - Akilah Oliver "In Aporia"

Come to collect utilitarian debts - Akilah Oliver "In Aporia"

The kind of terror found in sleep - Akilah Oliver "In Aporia"

Expect a different grace from the world - Akilah Oliver "In Aporia"

Partake in my persimmon feast - Akilah Oliver "In Aporia"

The use they've made of cardamom - Akilah Oliver "In Aporia"

Loaned surnames to stars - Akilah Oliver "In Aporia"


Poet's page at poets.org.


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Sparkles its way through infinity - Matthew Olzmann "Astronomers Locate a New Planet"

Little clocks with silver pendulums - Matthew Olzmann "Astronomers Locate a New Planet"

And contemplate things that are endless - Matthew Olzmann "Astronomers Locate a New Planet"

A heartbeat telling stories in the dark - Matthew Olzmann "Astronomers Locate a New Planet"

Lament every transient second - Matthew Olzmann "Build, Now, a Monument"

From the prisons of linear time - Matthew Olzmann "The Earthlings"

Little flowers made from red tape - Matthew Olzmann "Letter Beginning with Two Lines by Czesław Miłosz"

Lead paint and sulfur dioxide - Matthew Olzmann "Letter to Someone Living Fifty Years from Now"

Advancement in public shaming - Matthew Olzmann "My Invisible Horse and the Speed of Human Decency"

That goes precisely nowhere - Matthew Olzmann "My Invisible Horse and the Speed of Human Decency"

Between hotdog stands and hallelujahs - Matthew Olzmann "My Invisible Horse and the Speed of Human Decency"

A cobbler in the house of the Gods - Matthew Olzmann "Olympus"

Until it fit comfortably on the feet of the divine - Matthew Olzmann "Olympus"


Poet's page at poets.org.


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Sky after sky waiting to fall - January Gill O'Neil "The Blower of Leaves"

A million brilliant ambers twisting - January Gill O'Neil "The Blower of Leaves"

Bow to the power of negative space - January Gill O'Neil "The Blower of Leaves"

The beauty of what's missing - January Gill O'Neil "The Blower of Leaves"

The stiff kiss of acorns - January Gill O'Neil "The Blower of Leaves"

As the red impatiens wither and brown - January Gill O'Neil "The Blower of Leaves"

A tempest of the blood pulsing - January Gill O'Neil "The Blower of Leaves"

I can forgive the wind - January Gill O'Neil "The Blower of Leaves"

Weeds masquerading as grass - January Gill O'Neil "The Blower of Leaves"

Only the lawn's dying clover - January Gill O'Neil "The Blower of Leaves"

Picking up a fistful of sand - January Gill O'Neil "Early Memory"

With a sound that bleached me - January Gill O'Neil "Early Memory"

Knowing that fire in childhood - January Gill O'Neil "Early Memory"

Left to her own abandon - January Gill O'Neil "For Ella"

Her trumpet heralds no one - January Gill O'Neil "For Ella"

Grace us with green slender stems - January Gill O'Neil "For Ella"

Strong enough to withstand rain - January Gill O'Neil "For Ella"

In the empire of blocks - January Gill O'Neil "Hoodie"

Traveling the back roads between boy and man - January Gill O'Neil "Hoodie"

From this borrowed body into the next - January Gill O'Neil "Hoodie"

And convert time into distance - January Gill O'Neil "How to Love"

Sing down an empty road - January Gill O'Neil "How to Love"

Three wild turkeys crossing the street - January Gill O'Neil "How to Love"

A new lover in the unbroken night - January Gill O'Neil "How to Love"

The other side of this ragged January - January Gill O'Neil "How to Love"

Moving toward the inlets of the fingers - January Gill O'Neil "How to Make a Crab Cake"

Wanting it too much invites haste - January Gill O'Neil "How to Make a Crab Cake"

Errant shells and jagged edges - January Gill O'Neil "How to Make a Crab Cake"

Forgive the flaws inherited - January Gill O'Neil "How to Make a Crab Cake"

The quiver of oil in a hot pan - January Gill O'Neil "How to Make a Crab Cake"

The sweet ache of crab still bright - January Gill O'Neil "How to Make a Crab Cake"

Part of the fabric of earth - January Gill O'Neil "In Praise of Okra"

Make me laugh over coffee - January Gill O'Neil "In the Company of Women"

Let the bitterness sink to the bottom - January Gill O'Neil "In the Company of Women"

After the birthday crowds thin out - January Gill O'Neil "Night at the Roller Palace"

Like cabooses ready to decouple - January Gill O'Neil "Night at the Roller Palace"

Soldiers in the march against time - January Gill O'Neil "Night at the Roller Palace"

Cut crystal against rainbow walls - January Gill O'Neil "Night at the Roller Palace"

The spark between wood and wheel - January Gill O'Neil "Night at the Roller Palace"

Draw breath from brick - January Gill O'Neil "Old South Meeting House"

And Phillis Wheatley prayed - January Gill O'Neil "Old South Meeting House"

Where Ben Franklin was baptized - January Gill O'Neil "Old South Meeting House"

Ribs in the body politic - January Gill O'Neil "Old South Meeting House"

One nation under this vaulted roof - January Gill O'Neil "Old South Meeting House"

The language is hope - January Gill O'Neil "Old South Meeting House"

My son reaches into the sky - January Gill O'Neil "The Rookie"

Routine as a can of corn - January Gill O'Neil "The Rookie"

Where he'll always play defense - January Gill O'Neil "The Rookie"

The lettuce has grown too bitter to eat - January Gill O'Neil "Sunday"

You are my unwritten to-do list - January Gill O'Neil "Sunday"


Poet's page at poets.org.


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Deprived me of the night - Ekhmetjan Osman "My Love" transl. by Joshua L. Freeman

Your blood commanded soldiers - Ekhmetjan Osman "My Love" transl. by Joshua L. Freeman

Always I've been a hunter - Ekhmetjan Osman "My Love" transl. by Joshua L. Freeman

Stalk the hunter in his flight - Ekhmetjan Osman "My Love" transl. by Joshua L. Freeman

In the sky's great shroud of light - Ekhmetjan Osman "My Love" transl. by Joshua L. Freeman

The last descendant of the stone dynasty - Ekhmetjan Osman "Uyghur Impressions 6: Thousand Buddha Caves" transl. by Joshua L. Freeman

Filled with memory moons - Ekhmetjan Osman "Uyghur Impressions 7: Muselles Wine" transl. by Joshua L. Freeman

Drink from the skull of the celestial wolf - Ekhmetjan Osman "Uyghur Impressions 7: Muselles Wine" transl. by Joshua L. Freeman


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Set the route due north - dg nanouk okpik "Anthropocene Years"

My compass taps out of bearing in circles - dg nanouk okpik "Anthropocene Years"

Here choking on acidic air - dg nanouk okpik "Anthropocene Years"

Fogged lenses on telescopic eyes - dg nanouk okpik "Anthropocene Years"

As I draw thunder from the sky at dusk - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

A spark crystal in a whiteout - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Only those standing in a row in the night - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Flux and flows like herds of walrus - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

A seal hook of bear claws - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Clipping me to the northern tilt - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

The moon shadow grows to sun loops - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Uprooting soapstone and jade - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

To count milliseconds by watching a brook run - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Who guards me from long ice needles - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

A lean to in a starved storm - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Choose sable day and flux night - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

As the place where spiders braid - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Where laws stay on one bank of the river - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Slate makes knives for sharpening fingers - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

To drink from a whale bone cup - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

My underground thoughts of you - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

Up the river to spawn in eclipse water - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

And all the days are ebony backwards - dg nanouk okpik "For-The-Spirits-Who-Have-Rounded-The-Bend IIVAQSAAT"

A taffeta of cold air - dg nanouk okpik "Inupiaq Women"

Follow her in the knowledge of ice - dg nanouk okpik "Inupiaq Women"

Conceals things I can't change - dg nanouk okpik "Spring Thaw"

A blue glacial memory reveals - dg nanouk okpik "Spring Thaw"

A chickadee's feather on a snowflake - dg nanouk okpik "Spring Thaw"

I have died so many midnight moons - dg nanouk okpik "Twilight Pain"

Birth & blood is the rose - dg nanouk okpik "Twilight Pain"

A summons in black snow - dg nanouk okpik "Twilight Pain"

Eyes lock in deadbolt time - dg nanouk okpik "Twilight Pain"

Living in the sienna's myriad mazes - dg nanouk okpik "Twilight Pain"

Myriad mazes lost beyond found - dg nanouk okpik "Twilight Pain"

Brushstrokes of a painting half-finished - dg nanouk okpik "Twilight Pain"

Vanishes in paint on a canvas - dg nanouk okpik "Twilight Pain"

In constant fear of losing ground to walrus - dg nanouk okpik "Twilight Pain"

In rafters of the mind - dg nanouk okpik "When White Hawks Come"

Mirth off alder tendrils - dg nanouk okpik "When White Hawks Come"

Time melts when white hawks come - dg nanouk okpik "When White Hawks Come"


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Solid as well water - Sharon Olds "Earliest Memory"

Measure the force of the blow - Sharon Olds "Not Once"

Able to be struck by the earth - Sharon Olds "Not Once"

the alphabet was not just theirs - Sharon Olds "Ode of Girls' Things"

struck you with wonder - Sharon Olds "Song to Gabriel Hirsch"

in the grip of a fierce brightness - Sharon Olds "Song to Gabriel Hirsch"

your hand on the shoulder of the wild - Sharon Olds "Song to Gabriel Hirsch"

The moon and sun going down together - Sharon Olds "Suddenly"

Not telling a lie for anyone - Sharon Olds "Suddenly"

Hard ground and hard sky - Sharon Olds "Take the I Out"

A forest of felled iron - Sharon Olds "Take the I Out"

At the narrow window of a song - Sharon Olds "The Task of Naming Me"

A rich and enduring night - Sharon Olds "The Task of Naming Me"

Carried her rage unknown - Sharon Olds "Visiting My Mother’s College"

Our voices race to the towers - Sharon Olds "Voices"

Dreaming a map of the globe - Sharon Olds "Voices"

Unfolded into the hard truths - Sharon Olds "Voices"

Past the mirrors and night windows - Sharon Olds "Wonder as Wander"

A luna moth in a chambered cage - Sharon Olds "Wonder as Wander"


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these unrepeatable needles of rock - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

geology's answer to flakes of snow - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

a matter of a single uttered word - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

with dust and ribs required - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

essential for the colors of the stone - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

then temper it to golden-rose - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

A lamina of coral and carnelian - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

the peripheral inkling of a meteor - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

the nuthatch, a glutton for its seeds - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

close by each golden tent a golden torch - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

ecstatic ovations from thick stands of golden birch - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

here, assembling legends of Coyote - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

the frost they ought to praise - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

in a matter of mere eons - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

an exhaustive primer of floral specimens - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

Even God needs two versions of Creation - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

consumed by each imaginary flaw - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

Just let me stand here with an open eye - Jacqueline Osherow "Inspiration Point, Bryce Canyon, Utah"

against the shoreline's erratic discipline - Jacqueline Osherow "Window Seat: Providence to New York City"

the egret so completely still - Jacqueline Osherow "Window Seat: Providence to New York City"

paper from the inner bark of sandalwood - Jacqueline Osherow "Window Seat: Providence to New York City"

every other element implicit - Jacqueline Osherow "Window Seat: Providence to New York City"

the brush strokes' elliptic fusion of calm and motion - Jacqueline Osherow "Window Seat: Providence to New York City"

cradling its surreptitious wings - Jacqueline Osherow "Window Seat: Providence to New York City"

Would bankroll such a quiet grace - Jacqueline Osherow "XIII. Return to Suzhou: Master of the Nets"

Each tree a forest, each rock a mountain - Jacqueline Osherow "XIII. Return to Suzhou: Master of the Nets"

His master gardener dispensed perfection - Jacqueline Osherow "XIII. Return to Suzhou: Master of the Nets"

Expanse itself his garden - Jacqueline Osherow "XIII. Return to Suzhou: Master of the Nets"


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Had we as many mouths as Hydra - Jena Osman "Dissent and the Hydra"

An animated hiss and whistling wail - Jena Osman "Dissent and the Hydra"

Full of hydras and crocodiles - Jena Osman "Dissent and the Hydra"

Poisoned blood in a long constellation - Jena Osman "Dissent and the Hydra"

and a forest beyond the sand - Jena Osman "Mercury Rising (A Visualization)"

study the explosion clouds of bombs - Jena Osman "Mercury Rising (A Visualization)"

dust carried by solar wind - Jena Osman "Mercury Rising (A Visualization)"

in the wake of over 900 explosions - Jena Osman "Mercury Rising (A Visualization)"

crystal shards of terrigen mist - Jena Osman "Mercury Rising (A Visualization)"

two entwined snakes and a lyre - Jena Osman "Mercury Rising (A Visualization)"

Must carry a dream from the sparrow - Jena Osman "Mercury Rising (A Visualization)"

a sequence of boundaries for crossing over - Jena Osman "Mercury Rising (A Visualization)"

write a family tree in chalk - Jena Osman "Mercury Rising (A Visualization)"

the trail begins to split unmarked - Jena Osman "Mercury Rising (A Visualization)"

leading Eurydice back to the underworld - Jena Osman "Mercury Rising (A Visualization)"

form a connection of liquid silver - Jena Osman "Mercury Rising (A Visualization)"

release your metal breath into the air - Jena Osman "Mercury Rising (A Visualization)"

a house of exploded debris - Jena Osman "Mercury Rising (A Visualization)"

a connective world with multiple paths - Jena Osman "Mercury Rising (A Visualization)"

a reduction of mineral cinnabar - Jena Osman "Mercury Rising (A Visualization)"

safe in an inoculation of light - Jena Osman "Mercury Rising (A Visualization)"

return your breath as liquid silver - Jena Osman "Mercury Rising (A Visualization)"

Or is empathy outside of grammar - Jena Osman "To the Reader"

Your own personalized orange revolution - Jena Osman "To the Reader"


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The invisible hammerclaw of time - Miller Oberman "Commas"

The democratic nature of the shroud - Miller Oberman "Taharah"

Whose highest kindness was to say nothing - Miller Oberman "Taharah"

At the mercy of a stranger's eyes - Miller Oberman "Taharah"

Since from the prophet's hand it fell - Cornelius O'Brien "St Cecilia"

blue will-o-wisps cross my skin - Catherine O'Ciarmacain "Steelwife"

further from me and closer to power - Catherine O'Ciarmacain "Steelwife"

When time is no longer foe - Charles P. O'Connor "Maura Du of Ballyshannon"

Any penny of applauding hands - Charles L. O'Donnell, C.S.C. "The Dead Musicians"

The boundless meadows of the air - Charles L. O'Donnell, C.S.C. "The Dead Musicians"

This side of the heavens' spheres - Charles L. O'Donnell, C.S.C. "The Dead Musicians"

Homesick for harpings of eternity - Charles L. O'Donnell, C.S.C. "The Dead Musicians"

And fleeter than the falling star - John Francis O'Donnell "A Spinning Song"

Thick with honeysuckle and dust - Jennifer O'Grady "Moths"

That leaves the river for the light - John Myers O'Hara "Ablution"

Their panes of glass innocent - Diana O'Hehir "Riding the San Francisco Train"

Four floors of guilt - Diana O'Hehir "Riding the San Francisco Train"

Bliss hovering above the void - Precious Okoyomon "The animal that is most vulnerable is usually the most cruel / It is impossible to separate it from what it remembers"

Singing with a hard fist - Precious Okoyomon "The animal that is most vulnerable is usually the most cruel / It is impossible to separate it from what it remembers"

Starved myself of everything - Natasha Oladokun "Black Credit"

Growing slight on tomorrow's meat - Natasha Oladokun "Black Credit"

Until we kiss good night - Lin Oliver "Hush"

On earth's time-bounded shore - Oliver Optic "Lizzie"

I judge the world from the margins of diaries - Cait Weiss Orcutt "Single Kings of the Valley"

Citrus grows in the grove beneath my bed - Cait Weiss Orcutt "Single Kings of the Valley"

As wasps find poison - John Boyle O'Reilly "Name of Mary"

The red rose is a falcon - John Boyle O'Reilly "The White Rose"

And the white rose is a dove - John Boyle O'Reilly "The White Rose"

Has a kiss of desire on the lips - John Boyle O'Reilly "The White Rose"

To speak is to dream - Maria Antonia Ortega

Bloom on my lips - Maria Antonia Ortega

The path of those who walk alone - Maria Antonia Ortega "Lima"

Such fabled winds of change - Brenda Marie Osbey "On Contemplating the Breasts of Pauline Lumumba"

The weight of those hands - Brenda Marie Osbey "On Contemplating the Breasts of Pauline Lumumba"

Seasonable for mourning-time - Brenda Marie Osbey "On Contemplating the Breasts of Pauline Lumumba"

The chambers of the distant west - James F. Otis "Stanzas"

Gem on the dark brow of night - James F. Otis "To the New Moon"

Steals the light of Love's secret - James F. Otis "To the New Moon"

Inch on inch of gentle heart - Ou-yang Hsiu "[At the post house lodge]" transl. by Burton Watson

That shines the space of an hour - Ou-yang Hsiu "Calligraphy Practice" transl. by Burton Watson

Setting up an idol all of earth - Robert Owen "A Prayer" transl. by Edmund O. Jones

Than death itself more bitter - Robert Owen "A Prayer" transl. by Edmund O. Jones

capable of being two places at once - Ugonna-Ora Owoh "Syndrome"

a caste of lies is built as cells - Ugonna-Ora Owoh "Syndrome"

Becomes the texture of the wind - Sodïq Oyèkànmí "Stream of Dreams Where My Mouth Asks Not Be Blood-Light"


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Breaks with the agony of surprise - Joyce Carol Oates “The Dark”

The warm dark of dreams - Joyce Carol Oates “The Dark”

All the paraphernalia of our names - Joyce Carol Oates “Five Confessions: I. A Nap Without Sleep”

Once felt is always - Joyce Carol Oates “Five Confessions: III. Pain”

The gauge of our love’s guilt - Joyce Carol Oates “Five Confessions: V. Doctor’s Wife”

Snapped by envious fingers - Joyce Carol Oates “Lines for Those to Whom Tragedy Is Denied”


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In the arms of the harvest - Edward J. O'Brien "Hellenica"

Dearer than Helen's beauty - Edward J. O'Brien "Hellenica"

The sighing zephyrs of sandy Argos - Edward J. O'Brien "Hellenica"

Found the amaranthine meadows - Edward J. O'Brien "Hellenica"

Tidings of ancient summer - Edward J. O'Brien "Hellenica"

Of spring in the flaming ground - Edward J. O'Brien "Hellenica"

In the heart of her rushing forest - Edward J. O'Brien "Hellenica"

The rain in the dreaming hollows - Edward J. O'Brien "Hellenica"

Soft-sandalled in misty ways - Edward J. O'Brien "Hellenica"

Whose beauty is my sorrow - Edward J. O'Brien "Of Moira Up the Glen"

Travel on the long bright dream - Edward J. O'Brien "Of Moira Up the Glen"

To a chalice of tears and of laughter - Edward J. O'Brien "Of Moira Up the Glen"

Flesh unto flowers, and flame unto wind - Edward J. O'Brien "Song"

Shall waken thee weeping - Edward J. O'Brien "Song"


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That anyway world - Geoffrey G. O'Brien "May"

Get nowhere in time - Geoffrey G. O'Brien "May"

Each ancient and suspiciously free - Geoffrey G. O'Brien "May"

Somewhere between hours - Geoffrey G. O'Brien "May'

Not lasting but repeatable - Geoffrey G. O'Brien "May"

In intuition of every day to come - Geoffrey G. O'Brien "May"


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I followed here the heart I built for you - Cynthia Dewi Oka "American Abyss"

Bruise renewed again and again - Cynthia Dewi Oka "American Abyss"

Raining on the accordion chest of the sea - Cynthia Dewi Oka "American Abyss"

Children made vapor, families ground to grist - Cynthia Dewi Oka "American Abyss"

Followed here my own forgetting of the fireflies - Cynthia Dewi Oka "American Abyss"

Prayers in belligerent grasses - Cynthia Dewi Oka "American Abyss"

That stone you strike for water - Cynthia Dewi Oka "American Abyss"

Look, how your flowers light the world - Cynthia Dewi Oka "American Abyss"

Beyond touch of sunrise - Cynthia Dewi Oka “Portrait of My Father as a Pianist”

His own eternal night - Cynthia Dewi Oka “Portrait of My Father as a Pianist”

The dream of feathered departure - Cynthia Dewi Oka “Portrait of My Father as a Pianist”

Born of spruce and fading light - Cynthia Dewi Oka “Portrait of My Father as a Pianist”

An all-consuming body - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"

Like an army of moths - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"

Under the heavens of the machines - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"

On the jacket of the night - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"

That the night walks freely - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"

Among the ranks of the sun - Cynthia Dewi Oka "Redacted from a Know-Your-Rights Training Agenda"


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Would rather drink the wind - Mary Oliver "The Arrowhead"

Down from the heaven of leaves - Mary Oliver "At Black River"

The white and silky trumpet of nothing - Mary Oliver "At the Shore"

As if for the narrow path - Mary Oliver "Beans"

How the distances light up - Mary Oliver "Bear"

Though the blue jays carp and whistle - Mary Oliver "Black Oaks"

Without the push of wind - Mary Oliver "Black Oaks"

Let go of the wrists of idleness - Mary Oliver "Black Oaks"

The quick wrist of early summer - Mary Oliver "Black Snake This Time"

An empty skin for the mice to nibble - Mary Oliver "Black Snake This Time"

On the hundred hoops of its belly - Mary Oliver "Black Snake This Time"

Took nothing with it except faith - Mary Oliver "Black Swallowtail"

In the house of hearing - Mary Oliver "Bone"

Through its dark-knit glare - Mary Oliver "Bone"

Sift it down into fractions - Mary Oliver "Bone"

Play at the edges of knowing - Mary Oliver "Bone"

Like a million flowers on fire - Mary Oliver "The Buddha’s Last Instruction"

To learn the importance of stillness - Mary Oliver "Coming to God: First Days"

Song being born of quest - Mary Oliver "Daisies"

Suddenly assaulted with answers - Mary Oliver "Daisies"

Pale and narrow and hidden in the roots - Mary Oliver "Daisies"

The body of the night opens - Mary Oliver "The Deer"

Given only so many mornings - Mary Oliver "The Deer"

Like a red thirst - Mary Oliver "The Deer"

Hear the trees in their easy hours - Mary Oliver "Do the Trees Speak?"

The dark deer went running - Mary Oliver "Dogs"

Five dogs screaming at his flanks - Mary Oliver "Dogs"

Isn't just butter and good luck - Mary Oliver "Evening Star"

Through the raging flowers of the snow - Mary Oliver "Evening Star"

With dreams inside my eyes - Mary Oliver "Every Dog's Story"

Wasps sang at the windows - Mary Oliver "Flare"

A demon of frustrated dreams - Mary Oliver "Flare"

The iron thing they carried - Mary Oliver "Flare"

Open the dark fields of your mind - Mary Oliver "Flare"

Like the diligent leaves - Mary Oliver "Flare"

A black ant traveling briskly - Mary Oliver "Forty Years"

Saw the red fox asleep - Mary Oliver "Fox"

The music of dust and gravel - Mary Oliver "From the Book of Time"

Whose name was Earth - Mary Oliver "From the Book of Time"

Went down like a thousand roses - Mary Oliver "From the Book of Time"

The little hurricane of the hummingbird - Mary Oliver "From the Book of Time"

Count the roses, wrinkled and salt - Mary Oliver "From the Book of Time"

Their heaviness and their endless number - Mary Oliver "From the Book of Time"

Eternity is not later - Mary Oliver "From the Book of Time"

The salt of the stars - Mary Oliver "From the Book of Time"

The crown of the wind - Mary Oliver "From the Book of Time"

The beds of the clouds - Mary Oliver "From the Book of Time"

Be still, my soul, and steadfast - Mary Oliver "The Gift"

Deeply and without patience - Mary Oliver "The Gift"

The little murmurs of the broken blossoms - Mary Oliver "Goldenrod, Late Fall"

Ride the beautiful long spine of grammar - Mary Oliver "Gratitude"

In the rainfall of light - Mary Oliver "Gravel"

Rise in gauze and halos - Mary Oliver "Gravel"

The long black branches of other lives - Mary Oliver "Have You Ever Tried to Enter the Long Black Branches"

Over the dark acorn of your heart - Mary Oliver "Have You Ever Tried to Enter the Long Black Branches"

Sailing out of his house of straw - Mary Oliver "Have You Ever Tried to Enter the Long Black Branches"

The cranes crying out in the high clouds - Mary Oliver "Her Grave"

With his backbone of diamonds - Mary Oliver "Her Grave"

More ornaments of death - Mary Oliver “The Hermit Crab”

Close to the skim of honey - Mary Oliver "How Everything Adores Being Alive"

I am the pledge of emptiness that turned around - Mary Oliver "I am the one"

The cat with feathers under its tongue - Mary Oliver "I am the one"

Kissing me with its golden mouth - Mary Oliver "I don't want to live a small life"

The wind-winged clouds following - Mary Oliver "I don't want to live a small life"

In this world of hope and risk - Mary Oliver "I don't want to live a small life"

Asking to see God's identity papers - Mary Oliver "I Wake Close to Morning"

Keeping watch until we rise - Mary Oliver "I will try"

Like the clothes of our spirits - Mary Oliver “Ich Bin Der Welt Abhanden Gekommen”

My delicious dark happiness - Mary Oliver “Ich Bin Der Welt Abhanden Gekommen”

At what unknowable cost - Mary Oliver “Ich Bin Der Welt Abhanden Gekommen”

Nothing but what sits in the mind - Mary Oliver "If the philosopher is right"

That nothing exists fierce or soft - Mary Oliver "If the philosopher is right"

A voice in the weeds - Mary Oliver "'Just a minute,' said a voice ..."

Beauty can both shout and whisper - Mary Oliver "Leaves and Blossoms Along the Way"

In the wedge of the wind - Mary Oliver “Lilies”

From the deepest spurs of their being - Mary Oliver “Lilies Break Open Over the Dark Water”

Darkness enters the face of the lily - Mary Oliver "The Lily"

Even when there is no wind - Mary Oliver "The Lily"

With the patience of vegetables and saints - Mary Oliver "The Lily"

Married now to gravity - Mary Oliver "Lingering in Happiness"

From the offices of fear - Mary Oliver "Little Owl Who Lives in the Orchard"

And dragonflies if they happen - Mary Oliver "Little Owl Who Lives in the Orchard"

Across the marshlands of my heart - Mary Oliver "Little Owl Who Lives in the Orchard"

In the gallery of important things - Mary Oliver "Little Owl Who Lives in the Orchard"

Look under the sun's brass - Mary Oliver "Little Summer Poem Touching the Subject of Faith"

And the mystery hidden in dirt - Mary Oliver "Little Summer Poem Touching the Subject of Faith"

When the fly hesitates - Mary Oliver "Look Again"

Delicate uplifts of dust-colored skin - Mary Oliver "Look Again"

The plunge back into the shadows - Mary Oliver "Looking for Snakes"

Your own vanishing song - Mary Oliver "The Loon on Oak-Head Pond"

Adored every blossom - Mary Oliver "Luke"

Only so many precious hours - Mary Oliver "Luna"

And a reputation for death - Mary Oliver "Maker of All Things, Even Healings"

A message so absolute - Mary Oliver "Maker of All Things, Even Healings"

The quick white summer rain - Mary Oliver "Maples"

And the shine isn't just pennies - Mary Oliver "Maples"

After the multitude was fed - Mary Oliver "Maybe"

In the terrible debris of progress - Mary Oliver "Meadowlark Sings and I Greet Him in Return"

Learning to be astonished - Mary Oliver "Messenger"

A needle in a haystack of light - Mary Oliver "Mindful"

Prayers that are made out of glass - Mary Oliver "Mindful"

A new nothing in the universe - Mary Oliver "Moccasin Flowers"

Enter the fire of the world - Mary Oliver "Moccasin Flowers"

Into the floor of darkness - Mary Oliver "Moccasin Flowers"

Nothing more pathetic than caution - Mary Oliver "Moments"

The ocean empties its pockets - Mary Oliver "Morning Walk"

The long, tangled ornateness of seaweed - Mary Oliver "Morning Walk"

From the dry bowl of the very far past - Mary Oliver "Mornings at Blackwater"

The harbor of your longing - Mary Oliver "Mornings at Blackwater"

Tossed the white moon upward - Mary Oliver "Nature"

In the sudden fire of its mouth - Mary Oliver "Night and the River"

Whose other name is rain - Mary Oliver "Not This, Not That"

Swirling back from darkness - Mary Oliver "The Notebook"

The last roses of the sunset - Mary Oliver "The Notebook"

In the baskets of the wind - Mary Oliver "November"

Followed our long shadows back - Mary Oliver "November"

To the gates of April - Mary Oliver "November"

Shut tight, without dreams - Mary Oliver "Now comes the long blue cold"

In the tree of my heart - Mary Oliver "Now comes the long blue cold"

In the heart inexplicable - Mary Oliver "Now comes the long blue cold"

Through the hinterlands of justice - Mary Oliver "The Oak Tree at the Entrance to Blackwater Pond"

The angels of our imagination - Mary Oliver "Of Goodness"

With their gifts of replenishment - Mary Oliver "Of Goodness"

His throat full of song - Mary Oliver "Of Goodness"

Now carry my revelation with you - Mary Oliver "Of Love"

Or the sun which was the first - Mary Oliver "Of Love"

The bundles of harsh, beneficent rain - Mary Oliver "One"

All winds blow cold at last - Mary Oliver "The Orchard"

In the great, black packet of time - Mary Oliver "The Orchard"

To both sides of the knife - Mary Oliver "The Osprey"

Death too is a carpenter - Mary Oliver "Pilot Snake"

Flashes like a star and is gone - Mary Oliver "Pilot Snake"

Your hands passing over the world - Mary Oliver "Pipefish"

Each of us wears a shadow - Mary Oliver "The Pond"

Dressed in snowflakes - Mary Oliver "Praise"

By dark, godforsaken inches - Mary Oliver "Rain, Tree, Thunder and Lightning"

The wheels of the wind - Mary Oliver "Rain, Tree, Thunder and Lightning"

The heels of the clouds - Mary Oliver "Rain, Tree, Thunder and Lightning"

So hungry and so many - Mary Oliver "Red Bird"

Because the heart narrows - Mary Oliver "Red Bird"

Of the inexplicable beauty of heaven - Mary Oliver "Red Bird Explains Himself"

I will adore salt - Mary Oliver "Rhapsody"

Dress myself in desolation - Mary Oliver "Rhapsody"

Sigh as the tide rises - Mary Oliver "Riprap"

And again a thousand opportunities - Mary Oliver "Riprap"

Which part of the dream is me - Mary Oliver "Riprap"

Accomplished somewhere among strangers - Mary Oliver "A River Far Away and Long Ago"

Their factories of sweetness - Mary Oliver "Roses, Late Summer"

Their labor no adversity to the spirit - Mary Oliver "Self-Portrait"

Wisdom in the agitated motions of the mind - Mary Oliver "Seven White Butterflies"

Seven dancer floating even as worms - Mary Oliver "Seven White Butterflies"

Deliver themselves unto the universe - Mary Oliver "Seven White Butterflies"

The collation of all the hours we have known - Mary Oliver "Shelley"

As circular as hope - Mary Oliver "Snake"

Built of loneliness and its consequences - Mary Oliver "The Snow Cricket"

The theater of their perfect faces - Mary Oliver "The Snow Cricket"

In the black, polished water - Mary Oliver "Some Herons"

For the white blossoms, and the secrecy - Mary Oliver "Someday"

In such shining obedience - Mary Oliver "Someday"

And the ants are delighted - Mary Oliver "Someday"

Out of the uncombed morning - Mary Oliver "Something"

What to call this sharpest desire - Mary Oliver "Something"

The egg case of an ocean shell - Mary Oliver "Something"

One more sweet-as-honey answer - Mary Oliver "Something"

The sweet, electric drowse of creation - Mary Oliver "Sometimes"

The deep bells of thunder - Mary Oliver "Sometimes"

Fell down the side of the maple tree - Mary Oliver "Spring"

Against the silence of the trees - Mary Oliver "Spring"

Friends with the hard white stars - Mary Oliver "Stars"

The wind roused up in the oak trees - Mary Oliver "Stars"

A hundred thousand pure contraltos - Mary Oliver "Stars"

Even as the stars have twirled - Mary Oliver "Stars"

One hot sentence after another - Mary Oliver "Stars"

Not a single twinge of the heart - Mary Oliver "Storage"

More room in your heart for love - Mary Oliver "Storage"

Safe in their rafts of sleep - Mary Oliver "Straight Talk from Fox"

Your one wild and precious life - Mary Oliver "The Summer Day"

Graced as it is with the ordinary - Mary Oliver "Summer Morning"

An unforgettable fury of light - Mary Oliver "Sunrise"

In the familiar fabric of dawn - Mary Oliver "Sunrise"

One of the ways to enter fire - Mary Oliver "Sunrise"

In the press of blazing electricity - Mary Oliver "That Sweet Flute John Clare"

Where the stars are dressed in light - Mary Oliver "That Tall Distance"

The passionate hands of the sun - Mary Oliver "That Tall Distance"

Like the first fair water - Mary Oliver "There you were, and it was like spring"

Has no final measure - Mary Oliver "There you were, and it was like spring"

Just long enough for us to be astonished - Mary Oliver "There you were, and it was like spring"

A part of the untouchable clouds - Mary Oliver "There you were, and it was like spring"

Know nothing about the sky - Mary Oliver "This Morning"

Into the impossible trees - Mary Oliver "This Morning I Watched the Deer"

The dark pinprick well of sweetness - Mary Oliver "This World"

Instead of being locked up in gold - Mary Oliver "This World"

The crisp flight and the buzzing bliss - Mary Oliver "Three Songs: 3"

Standing in their beloved water - Mary Oliver "Walking to Indian River"

Two fleas under the wing of a gull - Mary Oliver "West Wind 1"

Ten loops of honeysuckle - Mary Oliver "West Wind 1"

Not worth a bent penny - Mary Oliver "West Wind 2"

If light had a mouth and a tongue - Mary Oliver "West Wind 3"

If the sky had a throat - Mary Oliver "West Wind 3"

Quick as thistles - Mary Oliver "West Wind 3"

Burning down like a wild needle - Mary Oliver "West Wind 4"

Puddled in lamplight at your midnight desk - Mary Oliver "West Wind 6"

The burning mouth of the wind - Mary Oliver "West Wind 6"

Under the gray waves' spinning threshold - Mary Oliver "West Wind 8"

The brambles in their places - Mary Oliver "West Wind 9"

From under a thumb of bark - Mary Oliver "West Wind 10"

Like a hundred bolts of lace - Mary Oliver "West Wind 13"

The black fingerprint of the rain - Mary Oliver "What Is It"

The patience of trees in the wind - Mary Oliver "What is the greatest gift"

With its sweet clamor of passion - Mary Oliver "What is the greatest gift"

Married to amazement - Mary Oliver "When Death Comes"

The heart has a dungeon - Mary Oliver "Where are you?"

Burns like a pillar of gold - Mary Oliver "Where Does the Dance Begin, Where Does It End?"

To the white feet of the trees - Mary Oliver "Where Does the Dance Begin, Where Does It End?"

Some shining coil of wind - Mary Oliver "Where Does the Temple Begin, Where Does It End?"

No proof of the soul - Mary Oliver "Whistling Swans"

The wind-bird with its white eyes - Mary Oliver "White-eyes"

Hold us in the great hands of light - Mary Oliver "Why I Wake Early"

The clear pebbles of the rain - Mary Oliver "Wild Geese"

No one owns the hearts of birds - Mary Oliver "Winter and the Nuthatch"

A conscience that never blinks - Mary Oliver "With the Blackest of Inks"

The difference between water and stone - Mary Oliver "Work"

Lilies turning from the wind - Mary Oliver "Work"

In the universe of leaves - Mary Oliver "Work"

Except in the splurge of roses - Mary Oliver "Work"

Fold grief like a blanket - Mary Oliver "Work"

Also a deliberate music - Mary Oliver "Work"

In the orderly house of reasons and proof - Mary Oliver "The World I Live In"

Only if there are angels in your head - Mary Oliver "The World I Live In"

Instantly beautiful to the bees - Mary Oliver "Writing Poems"


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Full breath of joy and absence - Anne-Marie Oomen and Linda Nemec Foster "Full Breath of Joy and Absence"

The lonely sound of ice - Anne-Marie Oomen and Linda Nemec Foster "Hearing My Name"

This echo of a stranger - Anne-Marie Oomen and Linda Nemec Foster "Hearing My Name"

Heard me in the captive water - Anne-Marie Oomen and Linda Nemec Foster "Hearing My Name"

How the sun can break itself - Anne-Marie Oomen and Linda Nemec Foster "Lament"

Stronger for having drowned - Anne-Marie Oomen and Linda Nemec Foster "The Room Weeps"

Wants to astonish the water - Anne-Marie Oomen and Linda Nemec Foster "Sign?"

A tiny bowl, empty but for hope - Anne-Marie Oomen and Linda Nemec Foster "Skippers"

In each heartbeat of the moon - Anne-Marie Oomen and Linda Nemec Foster "What I Almost Say"


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The blossoms from Juliet's breast - James Oppenheim "A Handful of Dust"

So rich with the bewildering past - James Oppenheim "A Handful of Dust"

Honey from the lips of David - James Oppenheim "A Handful of Dust"

A captain of the moving waters - James Oppenheim "Hebrews"

Down to the cleansing sea - James Oppenheim "Self"

Like wine to my spirit - James Oppenheim "Self"

Bathed my eyes with infinity - James Oppenheim "Self"

Golden snares on the tide - James Oppenheim "Self"

And dust to dust expunge it - James Oppenheim "We Dead"

Over the waters of our own darkness - James Oppenheim "We Dead"

Limbed with the lightning - James Oppenheim "We Dead"

The hidden nymph in her soul - James Oppenheim "We Dead"

The soul's bleak weather - James Oppenheim "We Dead"

To the world of my spirit - James Oppenheim "We Dead"

Ride on the darkening flood - James Oppenheim "We Dead"

From the depths of the heavens - James Oppenheim "We Dead"

Like a noose of golden shadow - James Oppenheim "We Dead"


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Accumulation of griefs - Meghan O'Rourke "Self-Portrait as Myself"

Faster than the mind absorbs - Meghan O'Rourke "Self-Portrait as Myself"

Except within my secret ears - Meghan O'Rourke "Self-Portrait as Myself"

The orchestration of meaning - Meghan O'Rourke "Self-Portrait as Myself"

Happening in a time we can't touch - Meghan O'Rourke "Self-Portrait as Myself"

Made of days and days - Meghan O'Rourke "Self-Portrait as Myself"

The cool blue pockets of time - Meghan O'Rourke "Self-Portrait as Myself"

So narrow and light and possible - Meghan O'Rourke "Self-Portrait as Myself"

An arctic sorrow - Meghan O'Rourke "Unforced Error"

When I die let me live - Meghan O'Rourke "Unforced Error"


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An ancient bitter nod - Simon J. Ortiz "From Sand Creek"

Determined to freeze - Simon J. Ortiz "From Sand Creek"

Throttled on fences - Simon J. Ortiz "From Sand Creek"

Stolen from her memory - Simon J. Ortiz "From Sand Creek"

A moment clenched tightly - Simon J. Ortiz "From Sand Creek"

Whisper for rain - Simon J. Ortiz "From Sand Creek"

And tied themselves to stars - Simon J. Ortiz "From Sand Creek"

Memory was his lost trail - Simon J. Ortiz "From Sand Creek"

Look into his exile eyes - Simon J. Ortiz "From Sand Creek"

A whirlpool of exiles drowning him - Simon J. Ortiz "From Sand Creek"

And substance for every comfort - Simon J. Ortiz "From Sand Creek"


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Far into the country of Sorrow - Arthur O'Shaughnessy "The Fountain of Tears"

May pass for a tender word spoken - Arthur O'Shaughnessy "The Fountain of Tears"

To each distance of past desolation - Arthur O'Shaughnessy "The Fountain of Tears"

Cover the place of each sorrow - Arthur O'Shaughnessy "The Fountain of Tears"

Poured the whole sorrow of years - Arthur O'Shaughnessy "The Fountain of Tears"

In frozen cadences - Arthur W.E. O'Shaughnessy "A Neglected Harp"

Silence that enchains - Arthur W.E. O'Shaughnessy "A Neglected Harp"

The stricken air still aches - Arthur W.E. O'Shaughnessy "A Neglected Harp"

A heap of fragrant ashes - Arthur W.E. O'Shaughnessy "A Precious Urn"

Carven filigree of Thought - Arthur W.E. O'Shaughnessy "Seraphitus"

Devious ways tangled with blooming - Arthur W.E. O'Shaughnessy "Seraphitus"

That mirror of things infinite - Arthur W.E. O'Shaughnessy "Seraphitus"

Laughs the long eternity away - Arthur W.E. O'Shaughnessy "Three Flowers of Modern Greece II. The Fair Maid and the Sun"

Standeth as a goddess stands - Arthur W.E. O'Shaughnessy "Three Flowers of Modern Greece II. The Fair Maid and the Sun"

A most strange and melancholy note - Arthur W.E. O'Shaughnessy "Three Flowers of a Modern Greece III. The Cypress"


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Seeing the double misery - Ladan Osman "Boat Journey"

Our thoughts converge - Ladan Osman "Boat Journey"

Will appear at an absurd angle - Ladan Osman "The scalps of the women with the best prophecies are dry this season"

A line from privacy to throat - Ladan Osman "The scalps of the women with the best prophecies are dry this season"

Determined in part by water - Ladan Osman "The scalps of the women with the best prophecies are dry this season"

And fixed for me an axis - Ladan Osman "Sun to Void"


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Seek ocean on the loveliest river - Margaret Fuller Ossoli "Aspiration"

With untamed fire their broad eyes glowing - Margaret Fuller Ossoli "The Captured Wild Horse"

Seeming freedom stained by fears - Margaret Fuller Ossoli "The Captured Wild Horse"

Coward shrinking from the brave - Margaret Fuller Ossoli "The Captured Wild Horse"

In tears to vent its misery - Margaret Fuller Ossoli "Caradori Singing"

Of the hearts hidden wells - Margaret Fuller Ossoli "Caradori Singing"

For her worshipper the wind - Margaret Fuller Ossoli "The Dahlia, the Rose, and the Heliotrope"

And though the nightingale had just begun - Margaret Fuller Ossoli "The Dahlia, the Rose, and the Heliotrope"

Exhausted of its rage - Margaret Fuller Ossoli "Description of a Portion of the Journey to Trenton Falls"

And heart of slower beat - Margaret Fuller Ossoli "Description of a Portion of the Journey to Trenton Falls"

To receive the idea of strength - Margaret Fuller Ossoli "Description of a Portion of the Journey to Trenton Falls"

Shake hands with disappointment - Margaret Fuller Ossoli "Description of a Portion of the Journey to Trenton Falls"

Fold my weary wings in peace - Margaret Fuller Ossoli "Description of a Portion of the Journey to Trenton Falls"

Which angel hopes foresaw - Margaret Fuller Ossoli "Freedom and Truth"

Yielding no root - Margaret Fuller Ossoli "A Greeting"

Gentleness finds its dignity - Margaret Fuller Ossoli "A Greeting"

Offered their sceptres to his hand - Margaret Fuller Ossoli "Hymn Written for a Sunday School"

Could revere the simplest flower - Margaret Fuller Ossoli "Hymn Written for a Sunday School"

A mass of black, unseemly stone - Margaret Fuller Ossoli "Imperfect Thoughts"

The hopeful, holy, terrible, and fair - Margaret Fuller Ossoli "Influence of the Outward"

The triumphs of thy song - Margaret Fuller Ossoli "Influence of the Outward"

Could efface from memory's tablet - Margaret Fuller Ossoli "Journey to Trenton Falls"

From joining ocean's war - Margaret Fuller Ossoli "Journey to Trenton Falls"

Touched by an April mood - Margaret Fuller Ossoli "Journey to Trenton Falls"

With summer's thickest garlands crowned - Margaret Fuller Ossoli "Journey to Trenton Falls"

For thought's most sacred cells - Margaret Fuller Ossoli "Journey to Trenton Falls"

Clothed the water's strife - Margaret Fuller Ossoli "Journey to Trenton Falls"

The harbingers of thy approach - Margaret Fuller Ossoli "Lines"

The rock which is their cradle - Margaret Fuller Ossoli "Lines"

Nor asks the wild bird's requiem - Margaret Fuller Ossoli "Lines"

By her own soul possessed - Margaret Fuller Ossoli "Lines"

From voiceless noise - Margaret Fuller Ossoli "Lines"

One grief to both impart - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

By vapors of the dreamy earth - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

Where a heart thy claim denies - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

Which justly makes the highest claim - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

No leaves upon this muddy stream appear - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

These last loving words in vain - Margaret Fuller Ossoli "Lines to Edith on Her Birthday"

Upon the timid flickerings of our hope - Margaret Fuller Ossoli "Lines Written in Boston on a Beautiful Autumnal Day"

My heart hath sealed its fountains - Margaret Fuller Ossoli "Meditations"

To the things of Time - Margaret Fuller Ossoli "Meditations"

Profaned and swollen by bitter waters - Margaret Fuller Ossoli "Meditations"

Call to the seas and mountains - Margaret Fuller Ossoli "Meditations"

One serpent thought that fled not - Margaret Fuller Ossoli "My Seal-Ring"

Destinies of various name - Margaret Fuller Ossoli "The One in All"

Peace is the soul's desire - Margaret Fuller Ossoli "The One in All"

By vain wishes bar my claim - Margaret Fuller Ossoli "The One in All"

The pencil moved prophetic - Margaret Fuller Ossoli "Prophecy and Fulfilment" [sic]

The wreath woven by the river - Margaret Fuller Ossoli "Prophecy and Fulfilment" [sic]

One of fate's best arrows - Margaret Fuller Ossoli "Prophecy and Fulfilment" [sic]

Gentlest of the wise - Margaret Fuller Ossoli "Richter"

Dissolve in purifying tears - Margaret Fuller Ossoli "Richter"

Through this wide mind - Margaret Fuller Ossoli "Richter"

Dream of dull despair - Margaret Fuller Ossoli "Sadness"

Which sever hearts from their hopes - Margaret Fuller Ossoli "Sadness"

Without thy ceaseless motion - Margaret Fuller Ossoli "Sistrum"

And charm the heart from pain - Margaret Fuller Ossoli "Song Written for a May Day Festival"

If they should not disclose - Margaret Fuller Ossoli "Song Written for a May Day Festival"

Though untended, we may bloom - Margaret Fuller Ossoli "Song Written for a May Day Festival"

To which no blight is known - Margaret Fuller Ossoli "Song Written for a May Day Festival"

Of worship more complete - Margaret Fuller Ossoli "Sub Rosa, Crux"

Faithful to this present trust - Margaret Fuller Ossoli "Sub Rosa, Crux"

Uplift the eyelids of the starry skies - Margaret Fuller Ossoli "The Thankful and the Thankless"

Above the throne of thought - Margaret Fuller Ossoli "Thoughts"

Which binds the whole to heaven - Margaret Fuller Ossoli "Thoughts"

Gained sweetness from thy voice - Margaret Fuller Ossoli "To E. C."

Life's fainting pilgrims - Margaret Fuller Ossoli "To E. C."

Seems nearer and more bright - Margaret Fuller Ossoli "To E. C."

By a mighty master's sway - Margaret Fuller Ossoli "To Miss R. B."

His harmony to emulate - Margaret Fuller Ossoli "To Miss R. B."

On our hard-bound soil - Margaret Fuller Ossoli "To Miss R. B."

Once by your music thrilled - Margaret Fuller Ossoli "To Miss R. B."

In memory a talisman - Margaret Fuller Ossoli "To Miss R. B."

As the wanderer pursues his way - Margaret Fuller Ossoli "To S. C."

Tranquil as the vestal sky - Margaret Fuller Ossoli "To S. C."

Cheering the patient rocks - Margaret Fuller Ossoli "To S. C."

Turned my steps to the retreating hills - Margaret Fuller Ossoli "To S. C."

The haughty, chiding flood - Margaret Fuller Ossoli "To S. C."

The autumn sweetness of thine eye - Margaret Fuller Ossoli "To S. C."

Sad glories on the cold wave burn - Margaret Fuller Ossoli "To S. C."

The grasp of alien hands - Margaret Fuller Ossoli "To S. C."

Grudge not the green leaves - Margaret Fuller Ossoli "To S. C."

To console me for farewell - Margaret Fuller Ossoli "To S. C."

In fresher green forgetting them - Margaret Fuller Ossoli "To S. C."

The meaning of each temporal blame - Margaret Fuller Ossoli "To S. C."

That sable mantle of the sky - Margaret Fuller Ossoli "To S. C."

Have paid chance tribute - Margaret Fuller Ossoli "Verses"

Ending only in the realms of light - Margaret Fuller Ossoli "Verses"


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Sky all broken glass - Alicia Suskin Ostriker "Alphabetical Flash"

Backpacks of holy language - Alicia Suskin Ostriker "Alphabetical Flash"

Duffel bags of ancestors - Alicia Suskin Ostriker "Alphabetical Flash"

A hall of screaming cracked mirrors - Alicia Suskin Ostriker "Alphabetical Flash"

Built to penetrate heaven - Alicia Suskin Ostriker "Alphabetical Flash"

Transform the mirror of his soul - Alicia Suskin Ostriker "Are You My Cousin"

The beloved is a window - Alicia Suskin Ostriker "August Morning, Upper Broadway"

With malicious abundant joy - Alicia Suskin Ostriker "August Morning, Upper Broadway"

But as a paradise might be - Alicia Suskin Ostriker "August Morning, Upper Broadway"

Another bus for the battlefield - Alicia Suskin Ostriker "The Battlefield: A Lyric"

Would go on admiring crows - Alicia Suskin Ostriker "The Common Crow Fibonacci"

Our human fists against heaven - Alicia Suskin Ostriker "The Glory of Cities"

Mourned by candlelight - Alicia Suskin Ostriker "How Fortunate the Boy"

The sugar of cruelty - Alicia Suskin Ostriker "Making a Meal of Them"

Out of your garden of insults - Alicia Suskin Ostriker "Q&A: Insurance"

Snow falling on the ocean - Alicia Suskin Ostriker "Q&A: Insurance"

Speeding toward the grim unknown - Alicia Suskin Ostriker "Q&A: Insurance"

In your jacket of anger - Alicia Suskin Ostriker "Q&A: Red Red Rose"

For weepers for weapons for widows - Alicia Suskin Ostriker "Q&A: Red Red Rose"

Dictionaries of amnesia - Alicia Suskin Ostriker "Temblor"

Words of the unhealed wounds - Alicia Suskin Ostriker "Underground"

The language of hope - Alicia Suskin Ostriker "Underground"


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From my own back in scarlet shreds - Wilfred Owen "A Terre"

All the arts of hurting - Wilfred Owen "A Terre"

Where hopes lay strewn - Wilfred Owen "Apologia pro Poemate"

Blue with all the malice - Wilfred Owen "Arms and the Boy"

After the drums of time - Wilfred Owen "The End"

In the merciless iced east winds - Wilfred Owen "Exposure"

In ranks on shivering ranks of gray - Wilfred Owen "Exposure"

The clays of a cold star - Wilfred Owen "Futility"

Chance's strange arithmetic - Wilfred Owen "Insensibility"

From larger day to huger night - Wilfred Owen "Insensibility"

The eternal reciprocity of tears - Wilfred Owen "Insensibility"

The march of this retreating world - Wilfred Owen "Strange Meeting"

Who bled where no wounds were - Wilfred Owen "Strange Meeting"

Night crushed out the day - Wilfred Owen "The Unreturning"

Return upon the world - Wilfred Owen "The Unreturning"

But no ghost woke - Wilfred Owen "The Unreturning"

The indefinite unshapen dawn - Wilfred Owen "The Unreturning"

Even a heaven with doors so chained - Wilfred Owen "The Unreturning"


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